Color woodcut on wove paper.
Signed and numbered in pencil lower left.
Published by Peter Blum Edition, New York.
Alex Katz’s Peter and Linda (from A Tremor in the Morning) is a woodcut from 1986 that distills portraiture into a striking economy of form. Two faces overlap in a close, cropped composition, their features defined by sparse, fluid lines against a soft, muted ground. The layering of profiles creates a sense of intimacy and quiet tension, as if capturing a fleeting moment between the figures. Katz’s characteristic reduction of detail emphasizes contour and silhouette, allowing expression to emerge through minimal means. Produced in an edition of 45, the work reflects his refined approach to figuration and graphic clarity.
Alex Katz (USA, 1927) is a celebrated painter known for his distinctive style combining realism and abstraction. His bold, flat portraits and landscapes use vibrant colors and simplified forms, often inspired by pop culture and nature. A key figure in postwar American art, Katz’s work bridges modernism and contemporary minimalism.
WoodcutWoodcut is a printing technique where an image is carved into the surface of a woodblock using gouges, with the remaining flat surface holding the ink for printing. The areas cut away by the artist do not carry ink, while the uncut areas do, producing the desired print. The carving follows the wood's grain, unlike wood engraving, where the block is cut across the end-grain. Ink is applied to the surface with a roller, ensuring only the flat, uncarved areas receive ink, leaving the recessed, non-printing areas clean.
Color woodcut on wove paper.
Signed and numbered in pencil lower left.
Published by Peter Blum Edition, New York.
Alex Katz’s Peter and Linda (from A Tremor in the Morning) is a woodcut from 1986 that distills portraiture into a striking economy of form. Two faces overlap in a close, cropped composition, their features defined by sparse, fluid lines against a soft, muted ground. The layering of profiles creates a sense of intimacy and quiet tension, as if capturing a fleeting moment between the figures. Katz’s characteristic reduction of detail emphasizes contour and silhouette, allowing expression to emerge through minimal means. Produced in an edition of 45, the work reflects his refined approach to figuration and graphic clarity.
Alex Katz (USA, 1927) is a celebrated painter known for his distinctive style combining realism and abstraction. His bold, flat portraits and landscapes use vibrant colors and simplified forms, often inspired by pop culture and nature. A key figure in postwar American art, Katz’s work bridges modernism and contemporary minimalism.
One thing I don’t want to do is things already done. As for particular subject matter, I don’t like narratives, basically.
- Alex Katz
Renowned for his brightly coloured figurative and landscape paintings, Alex Katz is a notable artist whose work bridges the gap between the styles of representation and formalism –among his most frequently referenced subjects are landscapes of New York and Maine, as well as portraits of his wife and muse, Ada. Such works as Pansies and West Palm Beach perhaps best exemplify his quintessentially American take on the classical themes of portraiture and landscape via the use of his flat colour and economy of line. Katz was notably influenced by the woodcuts of Japanese art, particularly the works of Kitagawa Utamaro; this inspiration, alongside his depictions of American culture and scenery (further inspired by television, films and billboard advertisements) have led to his paintings been dubbed as ‘precursors to Pop Art’. (Artist website)
A limited edition print is one of a number of prints made at the same time from one printmaking plate. A fixed number are made and signed by the artist, indicating the printing order, using the format 1/10, meaning first of ten prints.