Details
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Color woodcut on wove paper. Signed and numbered in pencil lower left. Published by Peter Blum Edition, New York. Alex Katz’s Peter and Linda (from A Tremor in the Morning) is a woodcut from 1986 that distills portraiture into a striking economy of form. Two faces overlap in a close, cropped composition, their features defined by sparse, fluid lines against a soft, muted ground. The layering of profiles creates a sense of intimacy and quiet tension, as if capturing a fleeting moment between the figures. Katz’s characteristic reduction of detail emphasizes contour and silhouette, allowing expression to emerge through minimal means. Produced in an edition of 45, the work reflects his refined approach to figuration and graphic clarity.
Peter and Linda (from A Tremor in the Morning), 1986
form
Medium
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51.4 x 50.8 cm
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Details
Artist
Styles
Color woodcut on wove paper. Signed and numbered in pencil lower left. Published by Peter Blum Edition, New York. Alex Katz’s Peter and Linda (from A Tremor in the Morning) is a woodcut from 1986 that distills portraiture into a striking economy of form. Two faces overlap in a close, cropped composition, their features defined by sparse, fluid lines against a soft, muted ground. The layering of profiles creates a sense of intimacy and quiet tension, as if capturing a fleeting moment between the figures. Katz’s characteristic reduction of detail emphasizes contour and silhouette, allowing expression to emerge through minimal means. Produced in an edition of 45, the work reflects his refined approach to figuration and graphic clarity.
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What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.
