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Screenprint in colours on Saunders Waterford 425g paper, the full sheet - Signed and numbered // This limited edition White Roses by Alex Katz is a screen-print from 2014, showcasing Katz's renowned minimalist aesthetic. The composition features a series of white roses delicately arranged against a soft blue background. The flowers, rendered in Katz's signature flat style, exude elegance and simplicity, while the dark green leaves provide contrast and depth to the scene. The roses, depicted with minimal detail but clear form, evoke a serene and refined atmosphere, characteristic of Katz's floral works. Printed on Saunders Waterford 425g paper, this work measures 108 × 217 cm (42.5 × 85.4 in) and is signed and numbered by the artist. The large scale of the piece enhances its visual impact, making the delicate roses appear even more majestic and calm against the tranquil sky-like background.
White Roses, 2014
form
Medium
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108 x 217 cm
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Details
Artist
Styles
Screenprint in colours on Saunders Waterford 425g paper, the full sheet - Signed and numbered // This limited edition White Roses by Alex Katz is a screen-print from 2014, showcasing Katz's renowned minimalist aesthetic. The composition features a series of white roses delicately arranged against a soft blue background. The flowers, rendered in Katz's signature flat style, exude elegance and simplicity, while the dark green leaves provide contrast and depth to the scene. The roses, depicted with minimal detail but clear form, evoke a serene and refined atmosphere, characteristic of Katz's floral works. Printed on Saunders Waterford 425g paper, this work measures 108 × 217 cm (42.5 × 85.4 in) and is signed and numbered by the artist. The large scale of the piece enhances its visual impact, making the delicate roses appear even more majestic and calm against the tranquil sky-like background.
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What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.