Details
Artist
Styles
Literature: Cantz 97-110. From the portfolio of 14 aquatints in colors on J. Green Hotpress paper. Signed in pencil and numbered. Co-published by Brooke Alexander/Marlborough Graphics, New York, with the blindstamp of the printer, Prawat Laucheron, New York. // Face of the Poet 2 is a colour aquatint on J. Green Hotpress paper by Alex Katz, from the portfolio of fourteen prints created in 1978 (Cantz 97-110), edition of 25 plus 10 artist's proofs. Delicate tonal layering reveals a quietly observant presence, the poet's features modelled through overlapping veils of warm colour. Katz achieves a remarkable sense of volume and light without recourse to heavy line, allowing the aquatint washes to define form with painterly grace. The portrait speaks to the subtle alertness of the literary mind, its calm exterior belying a depth of perception that Katz's spare technique makes tangible.
Face of the Poet 2, 1978
form
Medium
Size
36.8 x 48.3 cm
- Inches
- Centimeters
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Details
Artist
Styles
Literature: Cantz 97-110. From the portfolio of 14 aquatints in colors on J. Green Hotpress paper. Signed in pencil and numbered. Co-published by Brooke Alexander/Marlborough Graphics, New York, with the blindstamp of the printer, Prawat Laucheron, New York. // Face of the Poet 2 is a colour aquatint on J. Green Hotpress paper by Alex Katz, from the portfolio of fourteen prints created in 1978 (Cantz 97-110), edition of 25 plus 10 artist's proofs. Delicate tonal layering reveals a quietly observant presence, the poet's features modelled through overlapping veils of warm colour. Katz achieves a remarkable sense of volume and light without recourse to heavy line, allowing the aquatint washes to define form with painterly grace. The portrait speaks to the subtle alertness of the literary mind, its calm exterior belying a depth of perception that Katz's spare technique makes tangible.
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What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.
