Literature: Cantz 45-56. From the portfolio of 12 etchings with aquatint on wove paper. Signed in pencil and numbered. Co-published by Brooke Alexander/Marlborough Graphics, New York. Printed by Hitoshi Nakazato, New York.
June Ekman's Class 6 is an etching with aquatint on wove paper by Alex Katz, from the portfolio of twelve prints created in 1972 in an edition of 50 plus 10 artist's proofs (Cantz 45-56). Expressive line work captures a woman with flowing hair, the etched strokes conveying movement and vitality. Katz's confident handling of the needle produces marks that oscillate between description and abstraction, grounding the figure in specificity while leaving room for formal invention. The black-and-white palette heightens the graphic impact, making this sheet a compelling example of Katz's early mastery of intaglio portraiture.
Alex Katz (USA, 1927) is a celebrated painter known for his distinctive style combining realism and abstraction. His bold, flat portraits and landscapes use vibrant colors and simplified forms, often inspired by pop culture and nature. A key figure in postwar American art, Katz’s work bridges modernism and contemporary minimalism.
Etching and AquatintEtching and aquatint are printmaking techniques. In aquatint, the printing plate is etched with a pattern of tiny pits and cracks to create a wide range of tonal gradations. This technique allows artists to replicate the broad, flat tones found in watercolor paintings and ink washes.
Literature: Cantz 45-56. From the portfolio of 12 etchings with aquatint on wove paper. Signed in pencil and numbered. Co-published by Brooke Alexander/Marlborough Graphics, New York. Printed by Hitoshi Nakazato, New York.
June Ekman's Class 6 is an etching with aquatint on wove paper by Alex Katz, from the portfolio of twelve prints created in 1972 in an edition of 50 plus 10 artist's proofs (Cantz 45-56). Expressive line work captures a woman with flowing hair, the etched strokes conveying movement and vitality. Katz's confident handling of the needle produces marks that oscillate between description and abstraction, grounding the figure in specificity while leaving room for formal invention. The black-and-white palette heightens the graphic impact, making this sheet a compelling example of Katz's early mastery of intaglio portraiture.
Alex Katz (USA, 1927) is a celebrated painter known for his distinctive style combining realism and abstraction. His bold, flat portraits and landscapes use vibrant colors and simplified forms, often inspired by pop culture and nature. A key figure in postwar American art, Katz’s work bridges modernism and contemporary minimalism.
One thing I don’t want to do is things already done. As for particular subject matter, I don’t like narratives, basically.
- Alex Katz
Renowned for his brightly coloured figurative and landscape paintings, Alex Katz is a notable artist whose work bridges the gap between the styles of representation and formalism –among his most frequently referenced subjects are landscapes of New York and Maine, as well as portraits of his wife and muse, Ada. Such works as Pansies and West Palm Beach perhaps best exemplify his quintessentially American take on the classical themes of portraiture and landscape via the use of his flat colour and economy of line. Katz was notably influenced by the woodcuts of Japanese art, particularly the works of Kitagawa Utamaro; this inspiration, alongside his depictions of American culture and scenery (further inspired by television, films and billboard advertisements) have led to his paintings been dubbed as ‘precursors to Pop Art’. (Artist website)
A limited edition print is one of a number of prints made at the same time from one printmaking plate. A fixed number are made and signed by the artist, indicating the printing order, using the format 1/10, meaning first of ten prints.