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Archival pigment Inks - On Innova Etching Coston Rag 315 gsm // Azaleas on Yellow by Alex Katz is a limited edition pigment print from 2021, measuring 119 x 86 cm. The artwork is printed using archival pigment inks on Innova Etching Coston Rag 315 gsm, showcasing Katz’s minimalist style. This piece features vivid pink azaleas set against a bright yellow background, creating a striking visual contrast. Katz's approach, with clean lines and simplified forms, emphasizes the elegance and modernity of the composition. The flatness of color and the sharp, defined shapes highlight his ability to distill the essence of his subjects, presenting a fresh and vibrant portrayal of floral beauty.
Azaleas on Yellow, 2021
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119 x 86 cm
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Details
Artist
Styles
Archival pigment Inks - On Innova Etching Coston Rag 315 gsm // Azaleas on Yellow by Alex Katz is a limited edition pigment print from 2021, measuring 119 x 86 cm. The artwork is printed using archival pigment inks on Innova Etching Coston Rag 315 gsm, showcasing Katz’s minimalist style. This piece features vivid pink azaleas set against a bright yellow background, creating a striking visual contrast. Katz's approach, with clean lines and simplified forms, emphasizes the elegance and modernity of the composition. The flatness of color and the sharp, defined shapes highlight his ability to distill the essence of his subjects, presenting a fresh and vibrant portrayal of floral beauty.
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What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.