Literature: Cantz 45-56. From the portfolio of 12 etchings with aquatint on wove paper. Signed in pencil and numbered. Co-published by Brooke Alexander/Marlborough Graphics, New York. Printed by Hitoshi Nakazato, New York.
June Ekman's Class 1 is the opening etching with aquatint on wove paper from Alex Katz's portfolio of twelve prints, created in 1972 in an edition of 50 plus 10 artist's proofs (Cantz 45-56). As the inaugural plate, it establishes the portfolio's observational intimacy, presenting a close portrait whose precise yet understated line work invites prolonged study. The aquatint ground lends depth and atmosphere, while Katz's characteristic economy of means distils the subject's presence into essential contours. This first encounter sets the contemplative rhythm that will sustain the series, grounding each subsequent plate in Katz's signature blend of graphic clarity and emotional warmth.
Alex Katz (USA, 1927) is a celebrated painter known for his distinctive style combining realism and abstraction. His bold, flat portraits and landscapes use vibrant colors and simplified forms, often inspired by pop culture and nature. A key figure in postwar American art, Katz’s work bridges modernism and contemporary minimalism.
Etching and AquatintEtching and aquatint are printmaking techniques. In aquatint, the printing plate is etched with a pattern of tiny pits and cracks to create a wide range of tonal gradations. This technique allows artists to replicate the broad, flat tones found in watercolor paintings and ink washes.
Literature: Cantz 45-56. From the portfolio of 12 etchings with aquatint on wove paper. Signed in pencil and numbered. Co-published by Brooke Alexander/Marlborough Graphics, New York. Printed by Hitoshi Nakazato, New York.
June Ekman's Class 1 is the opening etching with aquatint on wove paper from Alex Katz's portfolio of twelve prints, created in 1972 in an edition of 50 plus 10 artist's proofs (Cantz 45-56). As the inaugural plate, it establishes the portfolio's observational intimacy, presenting a close portrait whose precise yet understated line work invites prolonged study. The aquatint ground lends depth and atmosphere, while Katz's characteristic economy of means distils the subject's presence into essential contours. This first encounter sets the contemplative rhythm that will sustain the series, grounding each subsequent plate in Katz's signature blend of graphic clarity and emotional warmth.
Alex Katz (USA, 1927) is a celebrated painter known for his distinctive style combining realism and abstraction. His bold, flat portraits and landscapes use vibrant colors and simplified forms, often inspired by pop culture and nature. A key figure in postwar American art, Katz’s work bridges modernism and contemporary minimalism.
One thing I don’t want to do is things already done. As for particular subject matter, I don’t like narratives, basically.
- Alex Katz
Renowned for his brightly coloured figurative and landscape paintings, Alex Katz is a notable artist whose work bridges the gap between the styles of representation and formalism –among his most frequently referenced subjects are landscapes of New York and Maine, as well as portraits of his wife and muse, Ada. Such works as Pansies and West Palm Beach perhaps best exemplify his quintessentially American take on the classical themes of portraiture and landscape via the use of his flat colour and economy of line. Katz was notably influenced by the woodcuts of Japanese art, particularly the works of Kitagawa Utamaro; this inspiration, alongside his depictions of American culture and scenery (further inspired by television, films and billboard advertisements) have led to his paintings been dubbed as ‘precursors to Pop Art’. (Artist website)
Sometimes known as Figurativism, figurative art refers to sculptures and paintings that are clearly or specifically derived from real objects, making them representational. The term figurative art is often used in contrast to abstract art. However, since the emergence of abstract art, figurative art has come to describe any form of modern art that has strong references to the real world or actual situations.