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Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper // Alex Katz's Sunset 3 (2020) is an archival pigment print on Innova Etching Cotton Rag paper, showcasing his mastery of abstraction and color contrast. The composition presents a bold interplay of black silhouettes resembling foliage, set against a gradient backdrop of vibrant yellow, red, and blue hues that evoke the colors of a sunset. Katz’s use of negative space and simplified forms highlights the transition of light, emphasizing the beauty of dusk. The juxtaposition of the dark foreground with the luminous background creates a dynamic visual tension, making the print both engaging and immersive.
Sunset 3, 2020
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99 x 178 cm
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Details
Artist
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Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper // Alex Katz's Sunset 3 (2020) is an archival pigment print on Innova Etching Cotton Rag paper, showcasing his mastery of abstraction and color contrast. The composition presents a bold interplay of black silhouettes resembling foliage, set against a gradient backdrop of vibrant yellow, red, and blue hues that evoke the colors of a sunset. Katz’s use of negative space and simplified forms highlights the transition of light, emphasizing the beauty of dusk. The juxtaposition of the dark foreground with the luminous background creates a dynamic visual tension, making the print both engaging and immersive.
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What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.