Details
Artist
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Literature: Cantz 166-178. From the portfolio of 13 vernis mou and aquatints on Hahnemühle paper. Signed in pencil and numbered. Co-published by the artist and Marlborough Graphics, New York. Printed by Crommelynck, Paris. // Give Me Tomorrow 3 is a vernis mou and aquatint on Hahnemühle paper by Alex Katz, from the portfolio of thirteen prints created in 1983 (Cantz 166-178), edition of 40 plus 10 artist's proofs. This plate is distinguished by soft tonal gradations that model the face with a painter's sensitivity, the grey-green palette hovering between presence and dissolution. Katz's restrained line and subtle aquatint washes conjure a mood of pensive calm, as though the sitter were suspended between thought and repose. Printed by Crommelynck, Paris, the sheet resonates with the portfolio's overarching theme of intimate human observation.
Give Me Tomorrow 3, 1983
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Medium
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45.7 x 39.4 cm
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Details
Artist
Styles
Literature: Cantz 166-178. From the portfolio of 13 vernis mou and aquatints on Hahnemühle paper. Signed in pencil and numbered. Co-published by the artist and Marlborough Graphics, New York. Printed by Crommelynck, Paris. // Give Me Tomorrow 3 is a vernis mou and aquatint on Hahnemühle paper by Alex Katz, from the portfolio of thirteen prints created in 1983 (Cantz 166-178), edition of 40 plus 10 artist's proofs. This plate is distinguished by soft tonal gradations that model the face with a painter's sensitivity, the grey-green palette hovering between presence and dissolution. Katz's restrained line and subtle aquatint washes conjure a mood of pensive calm, as though the sitter were suspended between thought and repose. Printed by Crommelynck, Paris, the sheet resonates with the portfolio's overarching theme of intimate human observation.
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What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.
