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Screenprint in colors on wove paper, signed in pencil, dated and numbered , with the blindstamp of the publisher, Gemini G.E.L., Los Angeles. - Suite: Race Track - Literature: Axsom 73, Gemini 377 - Image 15 x 75in (38.1 x 190.5cm) - Sheet 19 3/4 x 79 1/4in (50.2 x 201.3cm) River of Ponds IV by Frank Stella is a 1971 lithograph from his Newfoundland Series, printed in color on Special Arjomari paper. Known for his contributions to minimalism and post-painterly abstraction, Stella explores geometric precision and rhythmic form in this work. The composition centers around intersecting curvilinear and rectilinear shapes, rendered in muted pastels—peach, mint, seafoam, and gray. These shapes evoke a sense of motion and depth, while maintaining the flatness of the print surface. The lithograph exemplifies Stella's shift from stark black paintings to more complex color and form interactions, a hallmark of his 1970s output. Produced in collaboration with the Gemini G.E.L. workshop in Los Angeles, this piece is part of a series inspired by Canadian topography, with titles referencing locations in Newfoundland.
Del Mar, from Race Track, 1972
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50.2 x 201.3 cm
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Details
Artist
Styles
Screenprint in colors on wove paper, signed in pencil, dated and numbered , with the blindstamp of the publisher, Gemini G.E.L., Los Angeles. - Suite: Race Track - Literature: Axsom 73, Gemini 377 - Image 15 x 75in (38.1 x 190.5cm) - Sheet 19 3/4 x 79 1/4in (50.2 x 201.3cm) River of Ponds IV by Frank Stella is a 1971 lithograph from his Newfoundland Series, printed in color on Special Arjomari paper. Known for his contributions to minimalism and post-painterly abstraction, Stella explores geometric precision and rhythmic form in this work. The composition centers around intersecting curvilinear and rectilinear shapes, rendered in muted pastels—peach, mint, seafoam, and gray. These shapes evoke a sense of motion and depth, while maintaining the flatness of the print surface. The lithograph exemplifies Stella's shift from stark black paintings to more complex color and form interactions, a hallmark of his 1970s output. Produced in collaboration with the Gemini G.E.L. workshop in Los Angeles, this piece is part of a series inspired by Canadian topography, with titles referencing locations in Newfoundland.
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What is late modernism?
Late Modernism refers to the continuation and evolution of Modernist principles in art, architecture, and literature from the mid-20th century into the late 20th century. This movement maintains a focus on form, abstraction, and the rejection of traditional styles, but it often incorporates more complexity and ambiguity compared to early Modernism. Late Modernism explores themes such as alienation, identity, and the fragmentation of reality, reflecting the social and cultural shifts of the post-war period. It is seen in the works of architects like Louis Kahn and artists like Francis Bacon, who pushed the boundaries of Modernism while responding to the changing world around them.
