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Lithograph and screenprint on 320 gram Arches Cover pper - Published by Petersburg Press New York - Suite: Shards // Frank Stella’s Shards I (1982) is a limited edition mixed media print from his Shards series, combining lithography and screenprinting techniques. The composition is a vibrant fusion of geometric abstraction and dynamic forms, filled with bold lines, irregular shapes, and a rich palette of contrasting colors such as pink, blue, green, and black. The overlapping elements and intersecting lines create a sense of depth and motion, reflecting Stella’s innovative use of materials and his continual exploration of the picture plane. The title Shards suggests fragmentation, which is echoed in the scattered and broken forms throughout the artwork. This piece exemplifies Stella’s impact on post-painterly abstraction and minimalism.
Shards I, 1982
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115.6 x 101 cm
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Details
Artist
Styles
Lithograph and screenprint on 320 gram Arches Cover pper - Published by Petersburg Press New York - Suite: Shards // Frank Stella’s Shards I (1982) is a limited edition mixed media print from his Shards series, combining lithography and screenprinting techniques. The composition is a vibrant fusion of geometric abstraction and dynamic forms, filled with bold lines, irregular shapes, and a rich palette of contrasting colors such as pink, blue, green, and black. The overlapping elements and intersecting lines create a sense of depth and motion, reflecting Stella’s innovative use of materials and his continual exploration of the picture plane. The title Shards suggests fragmentation, which is echoed in the scattered and broken forms throughout the artwork. This piece exemplifies Stella’s impact on post-painterly abstraction and minimalism.
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Frank Stella
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Frank Stella
Polar Co-ordinates VIII, From Polar Co-ordinates For Ronnie Peterson, 1980
Limited Edition Print
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What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.
