Details
Artist
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Relief, etching, and aquatint. Signed, dated, and numbered in pencil. Published and printed by Tyler Graphics, Mt. Kisco, New York Literature: Axsom 183 // A commanding large-scale work from Frank Stella's Cones and Pillars series, La penna di hu (black and white) merges relief, etching and aquatint into a single monumental composition. Sweeping arcs and angular planes collide across the nearly two-metre surface, creating a dynamic interplay between depth and flatness that exemplifies Stella's relentless expansion of the print medium. Published by Tyler Graphics and catalogued as Axsom 183, this artist's proof from an edition of 42 remains a landmark of late-twentieth-century American printmaking.
La penna di hu (black and white), 1988
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Medium
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194.9 x 148 cm
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Price
Details
Artist
Styles
Relief, etching, and aquatint. Signed, dated, and numbered in pencil. Published and printed by Tyler Graphics, Mt. Kisco, New York Literature: Axsom 183 // A commanding large-scale work from Frank Stella's Cones and Pillars series, La penna di hu (black and white) merges relief, etching and aquatint into a single monumental composition. Sweeping arcs and angular planes collide across the nearly two-metre surface, creating a dynamic interplay between depth and flatness that exemplifies Stella's relentless expansion of the print medium. Published by Tyler Graphics and catalogued as Axsom 183, this artist's proof from an edition of 42 remains a landmark of late-twentieth-century American printmaking.
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Frank Stella
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What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.
