Details
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Lithographa and screenprint on Arches 300 gram paper - from the Eccentric Polygons series - published by Gemini G.E.L., Los Angeles - Hand-signed by artist, Signed, dated and numbered in pencil // Frank Stella, Moultonboro is a 1974 lithograph and screen-print from the Eccentric Polygons series, published by Gemini G.E.L. in Los Angeles. The artwork features overlapping geometric shapes, most prominently a large triangular form layered atop a square, with both shapes filled by lines of pastel pink, blue, and purple hues. Stella's precise use of color and geometry, alongside the textured quality of the print, showcases his dedication to abstraction and the exploration of spatial relationships within two-dimensional planes. The clean, angular forms reflect his interest in minimalism and modernist aesthetics. This limited-edition print is hand-signed, dated, and numbered by the artist.
Moultonboro, 1974
form
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43.8 x 56.5 cm
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Edition
Price
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Details
Artist
Styles
Lithographa and screenprint on Arches 300 gram paper - from the Eccentric Polygons series - published by Gemini G.E.L., Los Angeles - Hand-signed by artist, Signed, dated and numbered in pencil // Frank Stella, Moultonboro is a 1974 lithograph and screen-print from the Eccentric Polygons series, published by Gemini G.E.L. in Los Angeles. The artwork features overlapping geometric shapes, most prominently a large triangular form layered atop a square, with both shapes filled by lines of pastel pink, blue, and purple hues. Stella's precise use of color and geometry, alongside the textured quality of the print, showcases his dedication to abstraction and the exploration of spatial relationships within two-dimensional planes. The clean, angular forms reflect his interest in minimalism and modernist aesthetics. This limited-edition print is hand-signed, dated, and numbered by the artist.
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Limited Edition Print
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What is abstract art?
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.
