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Hang signed, numbered, and inscribed 'State II' lower right. Published by Petersburg Ltd., London; Printed by Cook, Hammond and Kell Lithographers, London. Reference: A. 79A. Image size: 26.1 x 26.1 cm. Sheet size: 41 x 55.6 cm. Frank Stella’s Sharpesville, from Multicolored Squares I (1972) is a lithograph that exemplifies his systematic exploration of geometric abstraction. The composition features a series of concentric squares, each defined by alternating bands of black, grey, and white, creating a rhythmic visual progression toward the center. Subtle tonal shifts and the precise layering of lines generate a sense of depth and optical vibration, despite the work’s flat surface. Stella’s focus on repetition and structure reflects his interest in reducing painting to its essential elements. Published by Petersburg Press in London, this print demonstrates his transition toward more complex spatial investigations within a minimalist framework.
Sharpesville, from Multicolored Squares I, 1972
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41 x 55.6 cm
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Details
Artist
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Hang signed, numbered, and inscribed 'State II' lower right. Published by Petersburg Ltd., London; Printed by Cook, Hammond and Kell Lithographers, London. Reference: A. 79A. Image size: 26.1 x 26.1 cm. Sheet size: 41 x 55.6 cm. Frank Stella’s Sharpesville, from Multicolored Squares I (1972) is a lithograph that exemplifies his systematic exploration of geometric abstraction. The composition features a series of concentric squares, each defined by alternating bands of black, grey, and white, creating a rhythmic visual progression toward the center. Subtle tonal shifts and the precise layering of lines generate a sense of depth and optical vibration, despite the work’s flat surface. Stella’s focus on repetition and structure reflects his interest in reducing painting to its essential elements. Published by Petersburg Press in London, this print demonstrates his transition toward more complex spatial investigations within a minimalist framework.
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What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.
