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Hang signed, numbered, and inscribed 'State II' lower right. Published by Petersburg Ltd., London; Printed by Cook, Hammond and Kell Lithographers, London. Reference: A. 79A. Image size: 26.1 x 26.1 cm. Sheet size: 41 x 55.6 cm. Frank Stella’s Sharpesville, from Multicolored Squares I (1972) is a lithograph that exemplifies his systematic exploration of geometric abstraction. The composition features a series of concentric squares, each defined by alternating bands of black, grey, and white, creating a rhythmic visual progression toward the center. Subtle tonal shifts and the precise layering of lines generate a sense of depth and optical vibration, despite the work’s flat surface. Stella’s focus on repetition and structure reflects his interest in reducing painting to its essential elements. Published by Petersburg Press in London, this print demonstrates his transition toward more complex spatial investigations within a minimalist framework.
Sharpesville, from Multicolored Squares I, 1972
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41 x 55.6 cm
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Details
Artist
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Hang signed, numbered, and inscribed 'State II' lower right. Published by Petersburg Ltd., London; Printed by Cook, Hammond and Kell Lithographers, London. Reference: A. 79A. Image size: 26.1 x 26.1 cm. Sheet size: 41 x 55.6 cm. Frank Stella’s Sharpesville, from Multicolored Squares I (1972) is a lithograph that exemplifies his systematic exploration of geometric abstraction. The composition features a series of concentric squares, each defined by alternating bands of black, grey, and white, creating a rhythmic visual progression toward the center. Subtle tonal shifts and the precise layering of lines generate a sense of depth and optical vibration, despite the work’s flat surface. Stella’s focus on repetition and structure reflects his interest in reducing painting to its essential elements. Published by Petersburg Press in London, this print demonstrates his transition toward more complex spatial investigations within a minimalist framework.
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What is geometric abstract art?
Geometric abstraction is a form of abstract art that uses geometric shapes arranged in a non-illusionistic space (though not always) and combined into non-representational (non-objective) compositions. Based on years of artistic research, some artists have proposed that geometric abstraction offers a solution to modern challenges by rejecting traditional illusionistic practices in favor of clarity and simplicity.
