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Hang signed, numbered, and inscribed 'State II' lower right. Published by Petersburg Ltd., London; Printed by Cook, Hammond and Kell Lithographers, London. Reference: A. 79A. Image size: 26.1 x 26.1 cm. Sheet size: 41 x 55.6 cm. Frank Stella’s Sharpesville, from Multicolored Squares I (1972) is a lithograph that exemplifies his systematic exploration of geometric abstraction. The composition features a series of concentric squares, each defined by alternating bands of black, grey, and white, creating a rhythmic visual progression toward the center. Subtle tonal shifts and the precise layering of lines generate a sense of depth and optical vibration, despite the work’s flat surface. Stella’s focus on repetition and structure reflects his interest in reducing painting to its essential elements. Published by Petersburg Press in London, this print demonstrates his transition toward more complex spatial investigations within a minimalist framework.
Sharpesville, from Multicolored Squares I, 1972
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41 x 55.6 cm
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Details
Artist
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Hang signed, numbered, and inscribed 'State II' lower right. Published by Petersburg Ltd., London; Printed by Cook, Hammond and Kell Lithographers, London. Reference: A. 79A. Image size: 26.1 x 26.1 cm. Sheet size: 41 x 55.6 cm. Frank Stella’s Sharpesville, from Multicolored Squares I (1972) is a lithograph that exemplifies his systematic exploration of geometric abstraction. The composition features a series of concentric squares, each defined by alternating bands of black, grey, and white, creating a rhythmic visual progression toward the center. Subtle tonal shifts and the precise layering of lines generate a sense of depth and optical vibration, despite the work’s flat surface. Stella’s focus on repetition and structure reflects his interest in reducing painting to its essential elements. Published by Petersburg Press in London, this print demonstrates his transition toward more complex spatial investigations within a minimalist framework.
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What is minimalism?
Minimalism is a style in music and visual arts characterized by pared-down designs and simplicity. It began in Western art after World War II, gaining prominence particularly in American visual arts. Minimalism draws heavily on aspects of modernism and is often viewed as a reaction against Abstract Expressionism, as well as a precursor to post-minimal art practices. Prominent minimalist artists include Agnes Martin, Donald Judd, Robert Morris, Frank Stella, and Dan Flavin.
