Sam Francis

Untitled, 1984

106.7 X 73 inch

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Moultonboro

Frank Stella’s Sinjerli Variation IIa, lithograph and screenprint, features overlapping geometric arcs in pastel tones of green, blue, yellow, and pink within a large circle.

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Lithograph and screenprint on 320 gram Arches Cover paper - Hand Signed Dated and Numbered - Published by Petersburg Press, New York // Frank Stella’s Sinjerli Variation IIa, created in 1977, is a mixed media print combining lithography and screenprinting on 320-gram Arches Cover paper. This limited edition work features a large, circular composition made up of intersecting arcs and geometric shapes, rendered in soft yet vibrant tones of green, blue, yellow, orange, and pink. The use of curved forms and overlapping sections creates a harmonious balance between color and shape, exemplifying Stella’s deep interest in abstract geometry and precision. The layered colors and textures provide a dynamic sense of depth, while the circular form recalls motifs from Islamic art, particularly architectural patterns. Signed, dated, and numbered, this print is part of Stella's exploration of variation and repetition within abstract compositions, published by Petersburg Press in New York.

Artwork Copyright © Frank Stella

Frank Stella

Sinjerli Variation IIa, 1977

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81.3 x 107.3   cm
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Details

Artist

Styles

Lithograph and screenprint on 320 gram Arches Cover paper - Hand Signed Dated and Numbered - Published by Petersburg Press, New York // Frank Stella’s Sinjerli Variation IIa, created in 1977, is a mixed media print combining lithography and screenprinting on 320-gram Arches Cover paper. This limited edition work features a large, circular composition made up of intersecting arcs and geometric shapes, rendered in soft yet vibrant tones of green, blue, yellow, orange, and pink. The use of curved forms and overlapping sections creates a harmonious balance between color and shape, exemplifying Stella’s deep interest in abstract geometry and precision. The layered colors and textures provide a dynamic sense of depth, while the circular form recalls motifs from Islamic art, particularly architectural patterns. Signed, dated, and numbered, this print is part of Stella's exploration of variation and repetition within abstract compositions, published by Petersburg Press in New York.

Artwork Copyright © Frank Stella
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Private Listing

Frank Stella

Private Listing

Drawing / Watercolor

Gouache

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Frank Stella's Honduras Lottery Co. lithograph, featuring colorful concentric squares on the left against a blank white space.

Frank Stella

Honduras Lottery Co., 1972

Limited Edition Print

Lithograph

Inquire For Price

Frank Stella’s Sinjerli Variation IIa, lithograph and screenprint, features overlapping geometric arcs in pastel tones of green, blue, yellow, and pink within a large circle.

Frank Stella

Sinjerli Variation IIa, 1977

Limited Edition Print

Mixed Media

USD 18,500

Frank Stella, Moultonboro, lithograph and screen-print. Overlapping geometric shapes in pink, blue, and purple tones with textured lines.

Frank Stella

Moultonboro, 1974

Limited Edition Print

Lithograph

USD 9,400

Frank Stella’s Sinjerli Variation I; circular geometric pattern with vibrant colors including green, blue, purple, red, and yellow.

Frank Stella

Sinjerli Variation I, 1977

Limited Edition Print

Mixed Media

USD 22,000 - 30,000

Frank Stella's Moultonville lithograph shows bold, irregular polygons in blue, red, yellow, and green with textured strokes.

Frank Stella

Moultonville, 1974

Limited Edition Print

Mixed Media

USD 7,625

Frank Stella’s York Factory II, screenprint on black paper, features overlapping geometric arcs in green, blue, orange, and red, forming rhythmic patterns.

Frank Stella

York Factory II, 1974

Limited Edition Print

Screen-print

USD 14,250

Private Listing

Frank Stella

Private Listing

Sculpture / Object

Mixed Media

Request Info

Frank Stella Shards Variant IVa lithograph and screenprint with interlocking geometric forms and layered textures in vibrant colors.

Frank Stella

Shards Variant IVa, 1982

Limited Edition Print

Mixed Media

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Frank Stella River of Ponds IV lithograph with intersecting pastel geometric shapes in mint, peach, gray, and green.

Frank Stella

Del Mar, From Race Track, 1972

Limited Edition Print

Screen-print

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Frank Stella River of Ponds IV lithograph with intersecting pastel geometric shapes in mint, peach, gray, and green.

Frank Stella

River Of Ponds IV, Newfoundland Series, 1971

Limited Edition Print

Lithograph

USD 12,000

Frank Stella's Honduras Lottery Co, 1972, lithograph with multicolored concentric squares on white background, signed and numbered.

Frank Stella

Honduras Lottery Co (from Multicolored Squares), 1970

Limited Edition Print

Lithograph

USD 9,650

Frank Stella's Gran Cairo, 1972, color lithograph; concentric rainbow-colored squares on white background, signed and numbered.

Frank Stella

Gran Cairo (from Multicolored Squares), 1970

Limited Edition Print

Lithograph

USD 7,000

Frank Stella's Newstead Abbey, 1970, lithograph; vertical gray lines forming symmetrical pattern with a central rectangular void.

Frank Stella

Newstead Abbey (From Aluminium Series), 1970

Limited Edition Print

Lithograph

Inquire For Price

Frank Stella's Six Mile Bottom, 1970, lithograph; vertical gray concentric lines forming a geometric pattern on white background.

Frank Stella

Six Mile Bottom (From Aluminium Series), 1970

Limited Edition Print

Lithograph

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Frank Stella's Turkish Mambo, 1967, lithograph on Barcham Green paper; dense black and white concentric lines forming geometric pattern.

Frank Stella

Turkish Mambo (From Black Series), 1967

Limited Edition Print

Lithograph

USD 5,250

Frank STELLA | Pagosa springs (from Copper Series) | Mixed Media available for sale on composition gallery

Frank Stella

Pagosa Springs (from Copper Series), 1970

Limited Edition Print

Mixed Media

Inquire For Price

Frank Stella's Ileana Sonnabend lithograph shows a deep purple trapezoid with concentric lines on a white background.

Frank Stella

Ileana Sonnabend (from Purple Series), 1972

Limited Edition Print

Lithograph

USD 4,000

Frank Stella's Kay Bearman lithograph features a purple octagonal shape with concentric lines on a white background.

Frank Stella

Kay Bearman (from Purple Series), 1972

Limited Edition Print

Lithograph

USD 4,000

Frank Stella's Avicenna lithograph shows a black square with angular, maze-like lines and a small white center.

Frank Stella

Avicenna, 1970

Limited Edition Print

Mixed Media

Inquire For Price

Frank Stella's Casa Cornu (First Version) lithograph shows black parallel, angular lines forming a rectangular block with small notches.

Frank Stella

Casa Cornu (First Version), 1968

Limited Edition Print

Lithograph

USD 4,000

Frank Stella's Wolfeboro lithograph features angular polygons in red, purple, orange, and teal outlined by hand-drawn strokes.

Frank Stella

Wolfeboro, 1974

Limited Edition Print

Mixed Media

USD 5,850

Frank Stella's Jasper's Dilemma lithograph features two squares with concentric lines, one colorful and one black and gray.

Frank Stella

Jasper's Dilemma, 1973

Limited Edition Print

Lithograph

USD 4,745

Frank Stella's Cato Manor lithograph features concentric squares in grayscale, creating a tunnel-like effect, with large negative space on the right.

Frank Stella

Cato Manor, 1972

Limited Edition Print

Lithograph

USD 4,865

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What is late modernism?
Artwork by Roy Lichtenstein

What is late modernism?

Late Modernism refers to the continuation and evolution of Modernist principles in art, architecture, and literature from the mid-20th century into the late 20th century. This movement maintains a focus on form, abstraction, and the rejection of traditional styles, but it often incorporates more complexity and ambiguity compared to early Modernism. Late Modernism explores themes such as alienation, identity, and the fragmentation of reality, reflecting the social and cultural shifts of the post-war period. It is seen in the works of architects like Louis Kahn and artists like Francis Bacon, who pushed the boundaries of Modernism while responding to the changing world around them.

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