Details
Artist
Styles
Silkscreen, lithography, and linoleum block with hand-coloring, marbling, and collage on T. H. Saunders and Somerset papers - Axsom 190 - Published by Waddington Graphics, London - Suite: The Moby Dick Prints: The Waves // The Counterpane (from Moby Dick) by Frank Stella, created in 1989, is a mixed media print that blends silkscreen, lithography, and linoleum block techniques with hand-coloring, marbling, and collage. The composition is an intricate and dynamic array of abstract shapes and lines, drawing inspiration from Herman Melville's Moby Dick. This work is part of Stella's Moby Dick Prints series, specifically The Waves. The chaotic and fragmented nature of the image, filled with layered forms in vivid colors like reds, blues, yellows, and black, evokes a sense of movement and complexity. The sharp lines and abstract figures are woven into a richly textured background, representing the tumultuous energy of the sea and the narrative of the novel. The visual complexity of the piece mirrors the psychological and physical struggles within Moby Dick, embodying both the chaos and beauty of the story through Stella's innovative approach to printmaking.
The Counterpane (from Moby Dick), 1989
form
Medium
Size
180.3 x 129.5 cm
- Inches
- Centimeters
Edition
Price
Details
Artist
Styles
Silkscreen, lithography, and linoleum block with hand-coloring, marbling, and collage on T. H. Saunders and Somerset papers - Axsom 190 - Published by Waddington Graphics, London - Suite: The Moby Dick Prints: The Waves // The Counterpane (from Moby Dick) by Frank Stella, created in 1989, is a mixed media print that blends silkscreen, lithography, and linoleum block techniques with hand-coloring, marbling, and collage. The composition is an intricate and dynamic array of abstract shapes and lines, drawing inspiration from Herman Melville's Moby Dick. This work is part of Stella's Moby Dick Prints series, specifically The Waves. The chaotic and fragmented nature of the image, filled with layered forms in vivid colors like reds, blues, yellows, and black, evokes a sense of movement and complexity. The sharp lines and abstract figures are woven into a richly textured background, representing the tumultuous energy of the sea and the narrative of the novel. The visual complexity of the piece mirrors the psychological and physical struggles within Moby Dick, embodying both the chaos and beauty of the story through Stella's innovative approach to printmaking.
- Recently Added
- Price (low-high )
- Price (high-low )
- Year (low-high )
- Year (high-low )
Frank Stella
Had Gadya: Front Cover, From Illustrations After El Lissitzky's Had Gadya, 1984
Limited Edition Print
Collage
USD 19,850
Frank Stella
Gran Cairo (from Multicolored Squares), 1970
Limited Edition Print
Lithograph
USD 7,000
Frank Stella
Imola Three, I (from The Circuits Series), 1982
Limited Edition Print
Mixed Media
USD 43,000 - 50,000
Frank Stella
Casa Cornu (First Version), 1968
Limited Edition Print
Lithograph
Currently Not Available
Frank Stella
Polar Co-ordinates VIII, From Polar Co-ordinates For Ronnie Peterson, 1980
Limited Edition Print
Mixed Media
Currently Not Available
What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.
