Details
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- Lithograph and screenprint on 320 gram Arches Cover paper - Signed (F. Stella) and dated (’77) in pencil, lower right - Series: Sinjerli Variation - Published by Petersburg Press, New York - Literature: Axsom 113 // Frank Stella’s Sinjerli Variation I (1977) is a vibrant and geometric mixed media print combining lithography and screenprinting on 320-gram Arches Cover paper. This limited edition piece, part of the Sinjerli Variation series, reflects Stella’s signature approach to abstract art, characterized by bold shapes and vibrant color contrasts. Measuring 81 x 107.3 cm, the work showcases a circular form filled with interlocking geometric patterns and arcs in hues of green, blue, purple, red, and yellow, creating a sense of movement and dynamic rhythm. The overlapping forms and clean lines exhibit a harmonious balance between simplicity and complexity, emphasizing Stella's contributions to the minimalism and geometric abstraction movements. Signed and dated in pencil, Sinjerli Variation I exemplifies Stella’s mastery in exploring form, color, and structure through abstract expression.
Sinjerli Variation I, 1977
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81 x 107.3 cm
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Details
Artist
Styles
- Lithograph and screenprint on 320 gram Arches Cover paper - Signed (F. Stella) and dated (’77) in pencil, lower right - Series: Sinjerli Variation - Published by Petersburg Press, New York - Literature: Axsom 113 // Frank Stella’s Sinjerli Variation I (1977) is a vibrant and geometric mixed media print combining lithography and screenprinting on 320-gram Arches Cover paper. This limited edition piece, part of the Sinjerli Variation series, reflects Stella’s signature approach to abstract art, characterized by bold shapes and vibrant color contrasts. Measuring 81 x 107.3 cm, the work showcases a circular form filled with interlocking geometric patterns and arcs in hues of green, blue, purple, red, and yellow, creating a sense of movement and dynamic rhythm. The overlapping forms and clean lines exhibit a harmonious balance between simplicity and complexity, emphasizing Stella's contributions to the minimalism and geometric abstraction movements. Signed and dated in pencil, Sinjerli Variation I exemplifies Stella’s mastery in exploring form, color, and structure through abstract expression.
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What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.
