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From the series: Imaginary Places - Screenprint, etching, aquatint, lithograph, engraving on white TGL handmade paper - Published by Tyler Graphics, Ltd., Mount Kisco, New York - Signed (F. Stella) and dated (’95) in pencil, lower left // Frank Stella’s Libertinia (1995) is an elaborate mixed media print from his Imaginary Places series. This vibrant piece combines various techniques such as screen printing, etching, aquatint, lithography, and engraving on handmade TGL paper. The composition is a dynamic interplay of abstract shapes, bold colors, and intricate lines that evoke a sense of movement and depth. The layered textures and complex forms invite viewers to explore Stella’s imaginative world, where geometry and organic shapes merge. Libertinia exemplifies Stella’s abstract aesthetic, with its rich, multi-dimensional approach that blends a variety of printmaking processes into a harmonious yet energetic whole.
Libertinia, 1995
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54.6 x 125.1 cm
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Details
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From the series: Imaginary Places - Screenprint, etching, aquatint, lithograph, engraving on white TGL handmade paper - Published by Tyler Graphics, Ltd., Mount Kisco, New York - Signed (F. Stella) and dated (’95) in pencil, lower left // Frank Stella’s Libertinia (1995) is an elaborate mixed media print from his Imaginary Places series. This vibrant piece combines various techniques such as screen printing, etching, aquatint, lithography, and engraving on handmade TGL paper. The composition is a dynamic interplay of abstract shapes, bold colors, and intricate lines that evoke a sense of movement and depth. The layered textures and complex forms invite viewers to explore Stella’s imaginative world, where geometry and organic shapes merge. Libertinia exemplifies Stella’s abstract aesthetic, with its rich, multi-dimensional approach that blends a variety of printmaking processes into a harmonious yet energetic whole.
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Limited Edition Print
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What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.
