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Engraving and relief-printed etching on handmade paper - Hand-signed // Frank Stella's Imola Three, I (1982) is a dynamic and intricate mixed media print from his renowned Circuits Series. This piece features a complex network of engraved lines and relief-printed etching on handmade paper, creating a sense of movement and depth. The composition's abstract forms are reminiscent of architectural blueprints or racetrack circuits, which is a recurring theme in this series. The intertwining curves and overlapping structures give the impression of a mechanical and organic interplay, highlighting Stella’s mastery in merging geometric precision with expressive line work. The use of monochromatic tones enhances the technical and industrial aesthetic. The print is hand-signed, affirming its authenticity as part of this limited edition series.
Imola Three, I (from the Circuits Series), 1982
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168.3 x 130 cm
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Details
Artist
Styles
Engraving and relief-printed etching on handmade paper - Hand-signed // Frank Stella's Imola Three, I (1982) is a dynamic and intricate mixed media print from his renowned Circuits Series. This piece features a complex network of engraved lines and relief-printed etching on handmade paper, creating a sense of movement and depth. The composition's abstract forms are reminiscent of architectural blueprints or racetrack circuits, which is a recurring theme in this series. The intertwining curves and overlapping structures give the impression of a mechanical and organic interplay, highlighting Stella’s mastery in merging geometric precision with expressive line work. The use of monochromatic tones enhances the technical and industrial aesthetic. The print is hand-signed, affirming its authenticity as part of this limited edition series.
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Imola Three, I (from The Circuits Series), 1982
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Who are the American Abstract Artists (AAA) ?
American Abstract Artists (AAA) is an organization founded in New York City in 1936 to promote abstract art and its appreciation in the United States. At a time when abstract art faced strong opposition from critics, the AAA provided crucial exhibition opportunities for abstract artists, helping to foster the growth and acceptance of the movement.
