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Screenprint in colors on wove paper, signed in pencil, dated and numbered , with the blindstamp of the publisher, Gemini G.E.L., Los Angeles. - Suite: Race Track - Literature: Axsom 73, Gemini 377 - Image 15 x 75in (38.1 x 190.5cm) - Sheet 19 3/4 x 79 1/4in (50.2 x 201.3cm) River of Ponds IV by Frank Stella is a 1971 lithograph from his Newfoundland Series, printed in color on Special Arjomari paper. Known for his contributions to minimalism and post-painterly abstraction, Stella explores geometric precision and rhythmic form in this work. The composition centers around intersecting curvilinear and rectilinear shapes, rendered in muted pastels—peach, mint, seafoam, and gray. These shapes evoke a sense of motion and depth, while maintaining the flatness of the print surface. The lithograph exemplifies Stella's shift from stark black paintings to more complex color and form interactions, a hallmark of his 1970s output. Produced in collaboration with the Gemini G.E.L. workshop in Los Angeles, this piece is part of a series inspired by Canadian topography, with titles referencing locations in Newfoundland.
Del Mar, from Race Track, 1972
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Medium
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50.2 x 201.3 cm
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Details
Artist
Styles
Screenprint in colors on wove paper, signed in pencil, dated and numbered , with the blindstamp of the publisher, Gemini G.E.L., Los Angeles. - Suite: Race Track - Literature: Axsom 73, Gemini 377 - Image 15 x 75in (38.1 x 190.5cm) - Sheet 19 3/4 x 79 1/4in (50.2 x 201.3cm) River of Ponds IV by Frank Stella is a 1971 lithograph from his Newfoundland Series, printed in color on Special Arjomari paper. Known for his contributions to minimalism and post-painterly abstraction, Stella explores geometric precision and rhythmic form in this work. The composition centers around intersecting curvilinear and rectilinear shapes, rendered in muted pastels—peach, mint, seafoam, and gray. These shapes evoke a sense of motion and depth, while maintaining the flatness of the print surface. The lithograph exemplifies Stella's shift from stark black paintings to more complex color and form interactions, a hallmark of his 1970s output. Produced in collaboration with the Gemini G.E.L. workshop in Los Angeles, this piece is part of a series inspired by Canadian topography, with titles referencing locations in Newfoundland.
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What is abstract art?
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.