Details
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Lithograph on J. Green mould-made paper - Signed, numbered and dated in pencil - Dry stamp. Ed. Peterburg Press ltd, London - From series: Multicolored Squares I // Frank Stella's Cato Manor (1972) is a lithograph from the Multicolored Squares I series, though this particular piece is executed in monochrome. The composition features a square filled with nested, concentric squares that gradually shift in tone from deep black to soft gray and white, creating a visual effect of depth and movement. The use of grayscale allows for a focus on the form and structure without the distraction of color, highlighting the precision and repetition of the geometric shapes. The square is positioned on the left side of the composition, leaving a large negative space on the right, which balances the dense, rhythmic arrangement of lines. Printed on J. Green mould-made paper, the lithograph is signed, numbered, and dated in pencil, and was produced by Petersburg Press Ltd in London. This work exemplifies Stella’s minimalist approach and interest in optical effects.
Cato Manor, 1972
form
Medium
Size
40.6 x 55.9 cm
- Inches
- Centimeters
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Details
Artist
Styles
Lithograph on J. Green mould-made paper - Signed, numbered and dated in pencil - Dry stamp. Ed. Peterburg Press ltd, London - From series: Multicolored Squares I // Frank Stella's Cato Manor (1972) is a lithograph from the Multicolored Squares I series, though this particular piece is executed in monochrome. The composition features a square filled with nested, concentric squares that gradually shift in tone from deep black to soft gray and white, creating a visual effect of depth and movement. The use of grayscale allows for a focus on the form and structure without the distraction of color, highlighting the precision and repetition of the geometric shapes. The square is positioned on the left side of the composition, leaving a large negative space on the right, which balances the dense, rhythmic arrangement of lines. Printed on J. Green mould-made paper, the lithograph is signed, numbered, and dated in pencil, and was produced by Petersburg Press Ltd in London. This work exemplifies Stella’s minimalist approach and interest in optical effects.
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What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.
