Sam Francis

Untitled, 1984

106.7 X 73 inch

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Composición

Rafael Jesús Soto’s Untitled (Circles and Lines), screen print, features black, green, and blue horizontal lines over a circular form, creating optical illusions of depth and movement.

// Rafael Jesús Soto’s Untitled (Circles and Lines), created in 1970, is a screen print that exemplifies the artist's exploration of optical art and kinetic aesthetics. In this work, Soto uses a series of overlapping lines to create a sense of movement and visual depth. The composition features a central circular form that appears to be partially obscured by horizontal lines in black, green, and blue. The interaction of the lines with the underlying circle generates an optical illusion, where the viewer’s perception shifts depending on their focus and the angle of viewing. The addition of blue lines introduces a vibrant contrast, which enhances the dynamic quality of the piece. Soto’s work is known for its ability to manipulate the viewer’s visual experience, creating an almost three-dimensional effect on a two-dimensional surface. This limited edition print is an excellent example of his mastery in blending geometric abstraction with the perceptual effects of light and motion.

Artwork Copyright © Rafael Jesus Soto

Untitled (circles and lines), 1970

form

Medium

Edition

// Rafael Jesús Soto’s Untitled (Circles and Lines), created in 1970, is a screen print that exemplifies the artist's exploration of optical art and kinetic aesthetics. In this work, Soto uses a series of overlapping lines to create a sense of movement and visual depth. The composition features a central circular form that appears to be partially obscured by horizontal lines in black, green, and blue. The interaction of the lines with the underlying circle generates an optical illusion, where the viewer’s perception shifts depending on their focus and the angle of viewing. The addition of blue lines introduces a vibrant contrast, which enhances the dynamic quality of the piece. Soto’s work is known for its ability to manipulate the viewer’s visual experience, creating an almost three-dimensional effect on a two-dimensional surface. This limited edition print is an excellent example of his mastery in blending geometric abstraction with the perceptual effects of light and motion.

Artwork Copyright © Rafael Jesus Soto

Rafael Jesus Soto

Dos Cuadraditos, 1972

Sculpture / Object

Object

USD 9,800

Rafael Jesus Soto

Óvalo En El Rojo, 1979

Sculpture / Object

Mixed Media

USD 8,950

Rafael Jesus Soto

Vibrations, 1967

Sculpture / Object

Acrylic Sculpture

EUR 25,000

Rafael Jesus Soto

Sans Titre, 2001

Sculpture / Object

Acrylic Sculpture

EUR 2,800

Rafael Jesus Soto

Permutation, 1955-1978

Sculpture / Object

Object

EUR 5,500

Rafael Jesus Soto

Permutacion, 1979

Sculpture / Object

Mixed Media

USD 8,950

Rafael Jesus Soto

La Escalera Azul , 1979

Sculpture / Object

Mixed Media

USD 8,950

Rafael Jesus Soto

Cuadrado Y Curvas Virtuales, 1979

Sculpture / Object

Mixed Media

USD 8,950

Rafael Jesus Soto

Mirroire, 2005

Sculpture / Object

Glass

EUR 10,000

Rafael Jesus Soto

Untitled (circles And Lines), 1970

Limited Edition Print

Screen-print

EUR 3,700

Rafael Jesus Soto

Composición, 1971

Limited Edition Print

Silkscreen

EUR 3,100

Rafael Jesus Soto

Escritura, 1979

Sculpture / Object

Mixed Media

USD 8,950

Rafael Jesus Soto

Sotomagie II, 1967

Sculpture / Object

Mixed Media

USD 8,950

Rafael Jesus Soto

Caroni, 1971

Limited Edition Print

Silkscreen

EUR 1,270

Rafael Jesus Soto

Untitled (Silver Lines)

Limited Edition Print

Screen-print

GBP 2,800

Rafael Jesus Soto

Homage To Federico Garcia Lorca, 1999

Limited Edition Print

Silkscreen

EUR 800

Rafael Jesus Soto

Spiral, 1955-83

Limited Edition Print

Silkscreen

EUR 2,900

Rafael Jesus Soto

Espiral Doble, 1979

Sculpture / Object

Mixed Media

USD 8,950

Rafael Jesus Soto

Cube With Ambiguous Space , 1981

Sculpture / Object

Object

Currently Not Available

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What is interactive art?

Interactive art is a form of art where the spectator is actively involved by the artist to achieve the artwork's purpose. This involvement can include allowing the visitor to walk around, in, or on the art installation, or even becoming a part of the artwork itself. Works in this category often feature computers, sensors, and interfaces that respond to various inputs such as meteorological changes, heat, motion, or other types of data programmed by the artist.

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