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Silkscreen on plexiglas. Incised with artist's signature and stamped Editions Denise René, 1967. 11½ by 16? by 3¼ in. (29.2 by 42.9 by 8.3 cm.) Executed in 1967, from an edition of 100. Published by Galerie Denise René. // Vibrations by Rafael Jesus Soto is an acrylic sculpture created in 1967, known for its optical and kinetic effects. This artwork utilizes silkscreen on plexiglass, intricately layering lines and geometric forms to produce a sense of movement and dynamic vibration. Soto’s innovative use of parallel lines and intersecting angles creates a rhythmic visual experience, encouraging viewers to explore perception and depth. The piece measures 29.2 x 42.9 x 8.3 cm and is part of an edition of 100, published by the renowned Galerie Denise René, a key supporter of kinetic and op art. The incised signature and stamp authenticate its place within Soto's exploration of optical illusions and viewer interaction.
Vibrations, 1967
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29 x 41 X 8 cm
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Details
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Silkscreen on plexiglas. Incised with artist's signature and stamped Editions Denise René, 1967. 11½ by 16? by 3¼ in. (29.2 by 42.9 by 8.3 cm.) Executed in 1967, from an edition of 100. Published by Galerie Denise René. // Vibrations by Rafael Jesus Soto is an acrylic sculpture created in 1967, known for its optical and kinetic effects. This artwork utilizes silkscreen on plexiglass, intricately layering lines and geometric forms to produce a sense of movement and dynamic vibration. Soto’s innovative use of parallel lines and intersecting angles creates a rhythmic visual experience, encouraging viewers to explore perception and depth. The piece measures 29.2 x 42.9 x 8.3 cm and is part of an edition of 100, published by the renowned Galerie Denise René, a key supporter of kinetic and op art. The incised signature and stamp authenticate its place within Soto's exploration of optical illusions and viewer interaction.
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What is the Zero Movement?
ZERO was an art movement founded by Otto Piene and Heinz Mack, aiming to develop into a large international and cross-border movement. The name ZERO originated from a magazine founded by Heinz Mack in 1957, which became a platform for the group's ideas. The magazine was published for several years before ceasing in 1967. The ZERO movement sought to create a new beginning in art, emphasizing light, space, and movement, and became influential in post-war European art.
