Screenprint, wood and painted metal - Signed on the label on the reverse - Published by B.C. de Venezuela.
Rafael Jesus Soto’s Dos Cuadraditos (1972) is a sculptural object that exemplifies the artist’s mastery in kinetic and optical art. The piece features a screen-printed background with vertical black and white stripes, creating a dynamic visual effect that shifts as the viewer changes perspective. Two square elements, one black and one blue, protrude from the surface, playing with spatial perception and movement. Made from wood and painted metal, this work invites the viewer to engage with the illusion of depth and motion, core elements of Soto's practice. Published by B.C. de Venezuela and signed on the reverse, Dos Cuadraditos is a striking representation of Soto's exploration of perception and visual interaction.
Jesús Rafael Soto (Venezuela, 1923–2005) was a pioneering figure in kinetic and op art. Renowned for his 'Penetrables' series, he created immersive installations that invited viewer interaction, blurring the lines between art and observer. Soto's work explored movement, perception, and the dematerialization of the art object, leaving a lasting impact on contemporary art.
ObjectAn object in art refers to any tangible thing that exists and can be depicted in a work of art. Sometimes, the object becomes the focal point of a painting, drawing, or sculpture, meaning it is the most important element in the composition. An object can be anything that can be seen or touched, and it is often used to convey meaning or emphasize certain aspects of the artwork.
Screenprint, wood and painted metal - Signed on the label on the reverse - Published by B.C. de Venezuela.
Rafael Jesus Soto’s Dos Cuadraditos (1972) is a sculptural object that exemplifies the artist’s mastery in kinetic and optical art. The piece features a screen-printed background with vertical black and white stripes, creating a dynamic visual effect that shifts as the viewer changes perspective. Two square elements, one black and one blue, protrude from the surface, playing with spatial perception and movement. Made from wood and painted metal, this work invites the viewer to engage with the illusion of depth and motion, core elements of Soto's practice. Published by B.C. de Venezuela and signed on the reverse, Dos Cuadraditos is a striking representation of Soto's exploration of perception and visual interaction.
Jesús Rafael Soto (Venezuela, 1923–2005) was a pioneering figure in kinetic and op art. Renowned for his 'Penetrables' series, he created immersive installations that invited viewer interaction, blurring the lines between art and observer. Soto's work explored movement, perception, and the dematerialization of the art object, leaving a lasting impact on contemporary art.
Art is not expression; art is knowledge.
- Rafael Jesus Soto
Celebrated for his contributions to both the Op Art movement and Kinetic Sculpture, Jesus Rafael Soto worked with a range of materials to create his trademark sculptural reliefs; his works study the interplay between colours as well as the dynamic between foreground and background, both of which often result in a final optical illusion effect, as exemplified in his acclaimed Vibration Blanc et Jaune work. Soto began his artistic career as a post-impressionist painter, but later discovered the methods and teachings of Piet Mondrian, from whom he gained much of his inspiration. Alongside his notable reliefs, Soto created a number of interactive sculptures that allowed direct audience participation – Penetrables is among his most successful works of this kind, of which the artist has remarked ‘’when you enter a penetrable, you have the sensation of being in a light swirl, a total plenitude of vibrations.’’ (Artist website)
Concrete Art is an art movement founded by the Dutch artist Theo van Doesburg in the 1930s. The movement emphasizes pure abstraction, focusing on geometric shapes and colors without any reference to the natural world or symbolic meaning. Unlike other forms of abstract art, Concrete Art is entirely non-representational and is based on mathematical principles and precise execution. It aims to create universal, timeless works by using simple, clear forms that emphasize objectivity and clarity.