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Screenrpint on plexiglass and screenprint on mirror - Signature and number on the back. // Mirroire by Jesús Rafael Soto, created in 2005, is a captivating glass sculpture that showcases the artist's mastery of kinetic and optical art. This piece features a central mirror surrounded by a plexiglass frame adorned with a screen-printed pattern of blue and black lines radiating outward. The lines create a sense of movement and depth, as they seem to converge and diverge depending on the viewer’s position, enhancing the kinetic effect Soto is known for. The reflective surface in the center intensifies this interaction, as it incorporates the viewer's image into the optical play, making the artwork dynamic and interactive. Measuring 50 x 50 x 5 cm, each piece is signed and numbered on the back, reinforcing Soto’s unique ability to blur the lines between viewer and artwork through perceptual engagement.
Mirroire, 2005
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50 x 50 X 5 cm
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Details
Artist
Styles
Screenrpint on plexiglass and screenprint on mirror - Signature and number on the back. // Mirroire by Jesús Rafael Soto, created in 2005, is a captivating glass sculpture that showcases the artist's mastery of kinetic and optical art. This piece features a central mirror surrounded by a plexiglass frame adorned with a screen-printed pattern of blue and black lines radiating outward. The lines create a sense of movement and depth, as they seem to converge and diverge depending on the viewer’s position, enhancing the kinetic effect Soto is known for. The reflective surface in the center intensifies this interaction, as it incorporates the viewer's image into the optical play, making the artwork dynamic and interactive. Measuring 50 x 50 x 5 cm, each piece is signed and numbered on the back, reinforcing Soto’s unique ability to blur the lines between viewer and artwork through perceptual engagement.
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What is interactive art?
Interactive art is a form of art where the spectator is actively involved by the artist to achieve the artwork's purpose. This involvement can include allowing the visitor to walk around, in, or on the art installation, or even becoming a part of the artwork itself. Works in this category often feature computers, sensors, and interfaces that respond to various inputs such as meteorological changes, heat, motion, or other types of data programmed by the artist.
