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Screenrpint on plexiglass and screenprint on mirror - Signature and number on the back. // Mirroire by Jesús Rafael Soto, created in 2005, is a captivating glass sculpture that showcases the artist's mastery of kinetic and optical art. This piece features a central mirror surrounded by a plexiglass frame adorned with a screen-printed pattern of blue and black lines radiating outward. The lines create a sense of movement and depth, as they seem to converge and diverge depending on the viewer’s position, enhancing the kinetic effect Soto is known for. The reflective surface in the center intensifies this interaction, as it incorporates the viewer's image into the optical play, making the artwork dynamic and interactive. Measuring 50 x 50 x 5 cm, each piece is signed and numbered on the back, reinforcing Soto’s unique ability to blur the lines between viewer and artwork through perceptual engagement.
Mirroire, 2005
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50 x 50 X 5 cm
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Details
Artist
Styles
Screenrpint on plexiglass and screenprint on mirror - Signature and number on the back. // Mirroire by Jesús Rafael Soto, created in 2005, is a captivating glass sculpture that showcases the artist's mastery of kinetic and optical art. This piece features a central mirror surrounded by a plexiglass frame adorned with a screen-printed pattern of blue and black lines radiating outward. The lines create a sense of movement and depth, as they seem to converge and diverge depending on the viewer’s position, enhancing the kinetic effect Soto is known for. The reflective surface in the center intensifies this interaction, as it incorporates the viewer's image into the optical play, making the artwork dynamic and interactive. Measuring 50 x 50 x 5 cm, each piece is signed and numbered on the back, reinforcing Soto’s unique ability to blur the lines between viewer and artwork through perceptual engagement.
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What is the Zero Movement?
ZERO was an art movement founded by Otto Piene and Heinz Mack, aiming to develop into a large international and cross-border movement. The name ZERO originated from a magazine founded by Heinz Mack in 1957, which became a platform for the group's ideas. The magazine was published for several years before ceasing in 1967. The ZERO movement sought to create a new beginning in art, emphasizing light, space, and movement, and became influential in post-war European art.
