Sculpture Multiple (Plastic and Cardboard), signed and numbered
8.25 in. x 5 in. x 1.25 in. (20.96 cm x 12.7 cm x 3.18 cm)
Sans Titre by Jesús Rafael Soto, created in 2001, is an acrylic sculpture that embodies the artist’s interest in kinetic art and visual perception. The piece features a series of fine vertical black lines overlaid with an abstract black design that appears to shift and move as the viewer changes perspective. Below the intricate linear composition is a solid blue rectangle, creating a striking color contrast within the structured frame of white and black borders. This interplay of static and dynamic elements, achieved through plastic and cardboard materials, exemplifies Soto’s exploration of optical effects and spatial ambiguity. Measuring 20.96 x 12.7 x 3.18 cm, the sculpture invites viewers to engage actively, as slight shifts in angle reveal new visual experiences. Each piece in this limited edition of 280 is signed and numbered by the artist.
Jesús Rafael Soto (Venezuela, 1923–2005) was a pioneering figure in kinetic and op art. Renowned for his 'Penetrables' series, he created immersive installations that invited viewer interaction, blurring the lines between art and observer. Soto's work explored movement, perception, and the dematerialization of the art object, leaving a lasting impact on contemporary art.
MultipleAcrylic sculpture refers to both a process and the resulting object. The artist begins by creating a sculpture from clay, plaster, or epoxy, which is then used to make a flexible mold. Melted acrylic is poured into the mold, and once it cures, the acrylic piece is hand-finished through sanding and polishing. Acrylic sculptures are valued for their clarity, durability, and ability to achieve intricate details.
Size
Inches
Centimeters
18 X 11 X 2.5 cm
Edition
Edition of 280
Price
USD
EUR
GBP
CHF
2,800EUR
?
+ VAT/import Duties (if applicable)
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Sculpture Multiple (Plastic and Cardboard), signed and numbered
8.25 in. x 5 in. x 1.25 in. (20.96 cm x 12.7 cm x 3.18 cm)
Sans Titre by Jesús Rafael Soto, created in 2001, is an acrylic sculpture that embodies the artist’s interest in kinetic art and visual perception. The piece features a series of fine vertical black lines overlaid with an abstract black design that appears to shift and move as the viewer changes perspective. Below the intricate linear composition is a solid blue rectangle, creating a striking color contrast within the structured frame of white and black borders. This interplay of static and dynamic elements, achieved through plastic and cardboard materials, exemplifies Soto’s exploration of optical effects and spatial ambiguity. Measuring 20.96 x 12.7 x 3.18 cm, the sculpture invites viewers to engage actively, as slight shifts in angle reveal new visual experiences. Each piece in this limited edition of 280 is signed and numbered by the artist.
Jesús Rafael Soto (Venezuela, 1923–2005) was a pioneering figure in kinetic and op art. Renowned for his 'Penetrables' series, he created immersive installations that invited viewer interaction, blurring the lines between art and observer. Soto's work explored movement, perception, and the dematerialization of the art object, leaving a lasting impact on contemporary art.
Art is not expression; art is knowledge.
- Rafael Jesus Soto
Celebrated for his contributions to both the Op Art movement and Kinetic Sculpture, Jesus Rafael Soto worked with a range of materials to create his trademark sculptural reliefs; his works study the interplay between colours as well as the dynamic between foreground and background, both of which often result in a final optical illusion effect, as exemplified in his acclaimed Vibration Blanc et Jaune work. Soto began his artistic career as a post-impressionist painter, but later discovered the methods and teachings of Piet Mondrian, from whom he gained much of his inspiration. Alongside his notable reliefs, Soto created a number of interactive sculptures that allowed direct audience participation – Penetrables is among his most successful works of this kind, of which the artist has remarked ‘’when you enter a penetrable, you have the sensation of being in a light swirl, a total plenitude of vibrations.’’ (Artist website)
Interactive art is a form of art where the spectator is actively involved by the artist to achieve the artwork's purpose. This involvement can include allowing the visitor to walk around, in, or on the art installation, or even becoming a part of the artwork itself. Works in this category often feature computers, sensors, and interfaces that respond to various inputs such as meteorological changes, heat, motion, or other types of data programmed by the artist.