What is the Zero Movement?
ZERO was an art movement founded by Otto Piene and Heinz Mack, aiming to develop into a large international and cross-border movement. The name ZERO originated from a magazine founded by Heinz Mack in 1957, which became a platform for the group's ideas. The magazine was published for several years before ceasing in 1967. The ZERO movement sought to create a new beginning in art, emphasizing light, space, and movement, and became influential in post-war European art.
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Artworks Related to Zero Movement
Arnulf Rainer
Red Wave, 2017
Limited Edition Print
Etching
EUR 4,800
Arnulf Rainer
Blue Hour, 2017
Limited Edition Print
Etching
EUR 4,800
Arnulf Rainer
Tube, 1966/67 - 1986
Limited Edition Print
Etching
EUR 4,200
Otto Piene
Addis Abeba X, 1972
Limited Edition Print
Screen-print
EUR 3,400
Otto Piene
Addis Abeba V, 1972
Limited Edition Print
Screen-print
EUR 3,300
Otto Piene
Addis Abeba VI, 1972
Limited Edition Print
Screen-print
EUR 3,100
Otto Piene
Addis Abeba IX, 1972
Limited Edition Print
Screen-print
EUR 2,800
Otto Piene
Addis Abeba II, 1972
Limited Edition Print
Screen-print
EUR 2,800
Antoni Tapies
Main sur tête, 1984
Limited Edition Print
Lithograph
EUR 3,800
Antoni Tapies
Apparitions, 1984
Limited Edition Print
Lithograph
EUR 3,200
Almir Mavignier
Untiteld from 9x5 Konkret Portfolio, 1979
Limited Edition Print
Screen-print
EUR 1,600
Almir Mavignier
der künstler ist ein beamter....., 1979
Sculpture / Object
Plate
EUR 980
Otto Piene
Sky Hook, 2014
Painting
Gouache
Inquire For Price
Heinz Mack
Sandflügel, 1976
Sculpture / Object
Mixed Media
Inquire For Price
Antoni Tapies
Cruz Vermella, 1960s
Painting
Oil on canvas
USD 165,000 - 190,000
Fernandez Arman
Ofelia, 1996
Sculpture / Object
Bronze
USD 4,950
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Gutai was a group of Japanese radical artists who formed the Gutai Art Association in 1954. The word Gutai translates to embodiment. The group was known for creating art on the spot for live audiences, often incorporating their own physical movements. Their performances included actions like throwing paint, piercing paper, and rolling in mud, emphasizing the direct interaction between the body and the material.
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