Screen-print on plastic and metal. Signed and numbered at the back.
Permutation by Jesús Rafael Soto, created between 1955 and 1978, is an object-based artwork that exemplifies the artist's exploration of kinetic and optical art. This piece consists of a screen-printed pattern of black and white vertical stripes on a plastic surface, structured to interact with the viewer’s perception. The arrangement creates an illusion of movement and depth, a hallmark of Soto’s work, where slight changes in the viewer's perspective cause the patterns to shift and vibrate visually. The rigid metal components stabilize the piece, allowing it to maintain its precise alignment while enhancing the optical effect. Measuring 21 x 15 x 10 cm and part of a limited edition of 120, each piece is signed and numbered on the back, showcasing Soto's dedication to blending art with perceptual experience and challenging the boundaries between static and dynamic forms.
Jesús Rafael Soto (Venezuela, 1923–2005) was a pioneering figure in kinetic and op art. Renowned for his 'Penetrables' series, he created immersive installations that invited viewer interaction, blurring the lines between art and observer. Soto's work explored movement, perception, and the dematerialization of the art object, leaving a lasting impact on contemporary art.
objectAn object in art refers to any tangible thing that exists and can be depicted in a work of art. Sometimes, the object becomes the focal point of a painting, drawing, or sculpture, meaning it is the most important element in the composition. An object can be anything that can be seen or touched, and it is often used to convey meaning or emphasize certain aspects of the artwork.
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21 X 15 X 10 cm
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Edition of 120pc
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5,500EUR
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Screen-print on plastic and metal. Signed and numbered at the back.
Permutation by Jesús Rafael Soto, created between 1955 and 1978, is an object-based artwork that exemplifies the artist's exploration of kinetic and optical art. This piece consists of a screen-printed pattern of black and white vertical stripes on a plastic surface, structured to interact with the viewer’s perception. The arrangement creates an illusion of movement and depth, a hallmark of Soto’s work, where slight changes in the viewer's perspective cause the patterns to shift and vibrate visually. The rigid metal components stabilize the piece, allowing it to maintain its precise alignment while enhancing the optical effect. Measuring 21 x 15 x 10 cm and part of a limited edition of 120, each piece is signed and numbered on the back, showcasing Soto's dedication to blending art with perceptual experience and challenging the boundaries between static and dynamic forms.
Jesús Rafael Soto (Venezuela, 1923–2005) was a pioneering figure in kinetic and op art. Renowned for his 'Penetrables' series, he created immersive installations that invited viewer interaction, blurring the lines between art and observer. Soto's work explored movement, perception, and the dematerialization of the art object, leaving a lasting impact on contemporary art.
Art is not expression; art is knowledge.
- Rafael Jesus Soto
Celebrated for his contributions to both the Op Art movement and Kinetic Sculpture, Jesus Rafael Soto worked with a range of materials to create his trademark sculptural reliefs; his works study the interplay between colours as well as the dynamic between foreground and background, both of which often result in a final optical illusion effect, as exemplified in his acclaimed Vibration Blanc et Jaune work. Soto began his artistic career as a post-impressionist painter, but later discovered the methods and teachings of Piet Mondrian, from whom he gained much of his inspiration. Alongside his notable reliefs, Soto created a number of interactive sculptures that allowed direct audience participation – Penetrables is among his most successful works of this kind, of which the artist has remarked ‘’when you enter a penetrable, you have the sensation of being in a light swirl, a total plenitude of vibrations.’’ (Artist website)
ZERO was an art movement founded by Otto Piene and Heinz Mack, aiming to develop into a large international and cross-border movement. The name ZERO originated from a magazine founded by Heinz Mack in 1957, which became a platform for the group's ideas. The magazine was published for several years before ceasing in 1967. The ZERO movement sought to create a new beginning in art, emphasizing light, space, and movement, and became influential in post-war European art.