// Espace cinétique by Rafael Jesus Soto, created in 1986, is an acrylic sculpture exemplifying the principles of kinetic art. Measuring 21.5 x 20.5 x 10.5 cm, this piece showcases Soto's expertise in manipulating spatial forms and light to evoke movement. The sculpture features floating black geometric shapes encased in a transparent acrylic block, which creates an illusion of depth and motion as the viewer's perspective shifts. Soto’s work invites the viewer to engage with the artwork, exploring the interplay of light, shadow, and form, making each encounter a unique visual experience.
Jesús Rafael Soto (Venezuela, 1923–2005) was a pioneering figure in kinetic and op art. Renowned for his 'Penetrables' series, he created immersive installations that invited viewer interaction, blurring the lines between art and observer. Soto's work explored movement, perception, and the dematerialization of the art object, leaving a lasting impact on contemporary art.
Acrylic sculptureAcrylic sculpture refers to both a process and the resulting object. The artist begins by creating a sculpture from clay, plaster, or epoxy, which is then used to make a flexible mold. Melted acrylic is poured into the mold, and once it cures, the acrylic piece is hand-finished through sanding and polishing. Acrylic sculptures are valued for their clarity, durability, and ability to achieve intricate details.
// Espace cinétique by Rafael Jesus Soto, created in 1986, is an acrylic sculpture exemplifying the principles of kinetic art. Measuring 21.5 x 20.5 x 10.5 cm, this piece showcases Soto's expertise in manipulating spatial forms and light to evoke movement. The sculpture features floating black geometric shapes encased in a transparent acrylic block, which creates an illusion of depth and motion as the viewer's perspective shifts. Soto’s work invites the viewer to engage with the artwork, exploring the interplay of light, shadow, and form, making each encounter a unique visual experience.
Jesús Rafael Soto (Venezuela, 1923–2005) was a pioneering figure in kinetic and op art. Renowned for his 'Penetrables' series, he created immersive installations that invited viewer interaction, blurring the lines between art and observer. Soto's work explored movement, perception, and the dematerialization of the art object, leaving a lasting impact on contemporary art.
Art is not expression; art is knowledge.
- Rafael Jesus Soto
Celebrated for his contributions to both the Op Art movement and Kinetic Sculpture, Jesus Rafael Soto worked with a range of materials to create his trademark sculptural reliefs; his works study the interplay between colours as well as the dynamic between foreground and background, both of which often result in a final optical illusion effect, as exemplified in his acclaimed Vibration Blanc et Jaune work. Soto began his artistic career as a post-impressionist painter, but later discovered the methods and teachings of Piet Mondrian, from whom he gained much of his inspiration. Alongside his notable reliefs, Soto created a number of interactive sculptures that allowed direct audience participation – Penetrables is among his most successful works of this kind, of which the artist has remarked ‘’when you enter a penetrable, you have the sensation of being in a light swirl, a total plenitude of vibrations.’’ (Artist website)
Latin American Art is a style which takes inspiration from its culture, society, politics, native traditions, religions and landscape. Op-Art and Kinetic Art figure prominently in Latin artworks. Colors in Latin American compositions are often bold. Latin American artists work in all media and movements.