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Screenprint // Jean Tinguely’s Fontaine Joe Syffert from Eight by Eight, 1984 is a vibrant and chaotic screen-print that exudes energy and movement. The composition bursts with color, featuring dynamic swirls of red, pink, yellow, and green against a deep black background. The abstract forms seem to explode from the center, giving the piece a sense of spontaneity and action. Tinguely’s use of vibrant paint splatters and bold strokes creates a sense of both chaos and harmony. The handwritten elements and signatures at the bottom add a personal and playful touch to this limited edition work, typical of Tinguely’s style, which often embraces mechanical movement and playful abstraction.
Fontaine Joe Syffert from Eight by Eight, 1984
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104.8 x 73 cm
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Details
Artist
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Screenprint // Jean Tinguely’s Fontaine Joe Syffert from Eight by Eight, 1984 is a vibrant and chaotic screen-print that exudes energy and movement. The composition bursts with color, featuring dynamic swirls of red, pink, yellow, and green against a deep black background. The abstract forms seem to explode from the center, giving the piece a sense of spontaneity and action. Tinguely’s use of vibrant paint splatters and bold strokes creates a sense of both chaos and harmony. The handwritten elements and signatures at the bottom add a personal and playful touch to this limited edition work, typical of Tinguely’s style, which often embraces mechanical movement and playful abstraction.
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What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.