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From SotoMagie series - Silkscreen on plexiglass - Signed and numbered on a label affixed to the reverse // Rafael Jesus Soto’s Sotomagie II is an engaging mixed-media sculpture that explores the interaction between form, light, and perception. Part of the Sotomagie series, this piece uses Plexiglas and features a dynamic composition of intersecting diagonal lines, dots, and geometric patterns. Silkscreened in black, white, red, and yellow, the lines and shapes seem to shift and vibrate as the viewer changes their angle of perception, creating an optical illusion of movement. Soto's mastery in kinetic and optical art is evident as he transforms simple geometric patterns into an immersive, dynamic experience. The layers of Plexiglas add depth to the composition, further enhancing the illusion of three-dimensionality and movement. Signed and numbered on the reverse, Sotomagie II exemplifies Soto’s exploration of space, perception, and visual vibration, inviting the viewer to actively engage with the artwork.
Sotomagie II, 1967
form
Medium
Size
34.5 x 34.5 X 8 cm
- Inches
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Details
Artist
Styles
From SotoMagie series - Silkscreen on plexiglass - Signed and numbered on a label affixed to the reverse // Rafael Jesus Soto’s Sotomagie II is an engaging mixed-media sculpture that explores the interaction between form, light, and perception. Part of the Sotomagie series, this piece uses Plexiglas and features a dynamic composition of intersecting diagonal lines, dots, and geometric patterns. Silkscreened in black, white, red, and yellow, the lines and shapes seem to shift and vibrate as the viewer changes their angle of perception, creating an optical illusion of movement. Soto's mastery in kinetic and optical art is evident as he transforms simple geometric patterns into an immersive, dynamic experience. The layers of Plexiglas add depth to the composition, further enhancing the illusion of three-dimensionality and movement. Signed and numbered on the reverse, Sotomagie II exemplifies Soto’s exploration of space, perception, and visual vibration, inviting the viewer to actively engage with the artwork.
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Rafael Jesus Soto
Óvalo En El Rojo, 1979
Sculpture / Object
Mixed Media
USD 8,950
Rafael Jesus Soto
Sans Titre, 2001
Sculpture / Object
Acrylic Sculpture
EUR 2,800
Rafael Jesus Soto
Permutation, 1955-1978
Sculpture / Object
Object
EUR 5,500
Rafael Jesus Soto
Permutacion, 1979
Sculpture / Object
Mixed Media
USD 8,950
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La Escalera Azul , 1979
Sculpture / Object
Mixed Media
USD 8,950
Rafael Jesus Soto
Cuadrado Y Curvas Virtuales, 1979
Sculpture / Object
Mixed Media
USD 8,950
Rafael Jesus Soto
Mirroire, 2005
Sculpture / Object
Glass
EUR 10,000
Rafael Jesus Soto
Kinetic Box, 1964
Sculpture / Object
Screen-print
USD 22,000
Rafael Jesus Soto
Untitled (Blue Horizon Lines), 1976
Limited Edition Print
Screen-print
USD 1,850
Rafael Jesus Soto
Untitled (circles And Lines), 1970
Limited Edition Print
Screen-print
EUR 3,700
Rafael Jesus Soto
Composición, 1971
Limited Edition Print
Silkscreen
EUR 3,100
Rafael Jesus Soto
Escritura, 1979
Sculpture / Object
Mixed Media
USD 8,950
Rafael Jesus Soto
Sotomagie II, 1967
Sculpture / Object
Mixed Media
USD 8,950
Rafael Jesus Soto
Caroni, 1971
Limited Edition Print
Silkscreen
EUR 1,270
Rafael Jesus Soto
Untitled (Silver Lines)
Limited Edition Print
Screen-print
GBP 2,800
Rafael Jesus Soto
Homage To Federico Garcia Lorca, 1999
Limited Edition Print
Silkscreen
EUR 800
Rafael Jesus Soto
Vibrations, 1967
Sculpture / Object
Acrylic Sculpture
EUR 9,200
Rafael Jesus Soto
Espiral Doble, 1979
Sculpture / Object
Mixed Media
USD 8,950
Rafael Jesus Soto
Dos Cuadraditos, 1972
Sculpture / Object
Object
Currently Not Available
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Cube With Ambiguous Space , 1981
Sculpture / Object
Object
Currently Not Available
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Concrete Art is an art movement founded by the Dutch artist Theo van Doesburg in the 1930s. The movement emphasizes pure abstraction, focusing on geometric shapes and colors without any reference to the natural world or symbolic meaning. Unlike other forms of abstract art, Concrete Art is entirely non-representational and is based on mathematical principles and precise execution. It aims to create universal, timeless works by using simple, clear forms that emphasize objectivity and clarity.
