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// Vertigo by Victor Vasarely, created in 1982, is a silkscreen print that exemplifies the artist's exploration of optical illusions and spatial depth. This limited edition piece, produced in an edition of 65 with additional artist proofs, features a dynamic blue-and-white checkerboard pattern that forms a diamond shape within a larger grid. The central circular form and the distortion of squares toward the edges create an illusion of movement, as if the central shape is vibrating or pulsating outwards. The visual effect is dizzying, aptly evoking a sense of vertigo and challenging the viewer's perception of flatness versus depth. Vasarely’s precise arrangement of geometric forms and contrast between blue and white engage the eye in a rhythmic exploration, making the piece appear to shift as one’s gaze moves across it. Vertigo stands as a powerful example of Vasarely’s mastery in Op Art, transforming simple shapes into an immersive optical experience.
Vertigo, 1982
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Medium
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67.3 x 58.4 cm
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Details
Artist
Styles
// Vertigo by Victor Vasarely, created in 1982, is a silkscreen print that exemplifies the artist's exploration of optical illusions and spatial depth. This limited edition piece, produced in an edition of 65 with additional artist proofs, features a dynamic blue-and-white checkerboard pattern that forms a diamond shape within a larger grid. The central circular form and the distortion of squares toward the edges create an illusion of movement, as if the central shape is vibrating or pulsating outwards. The visual effect is dizzying, aptly evoking a sense of vertigo and challenging the viewer's perception of flatness versus depth. Vasarely’s precise arrangement of geometric forms and contrast between blue and white engage the eye in a rhythmic exploration, making the piece appear to shift as one’s gaze moves across it. Vertigo stands as a powerful example of Vasarely’s mastery in Op Art, transforming simple shapes into an immersive optical experience.
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What is abstract art?
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.