Presenza grafica, 1973 - Engraving and screen-print in four colors on Fabriano Rosaspina paper
- Signature and numbering in pencil on the front
- Dry stamp 2RC - Rome
- Publisher and printer 2RC, Rome, in 80 copies and 15 artist proofs
Composición by Rafael Jesús Soto, created in 1971, is a striking example of the artist’s exploration of optical art and geometric abstraction. The work features a large blue circle that dominates the center of the composition, with a smaller concentric circle inside made up of fine horizontal lines. These lines create an optical illusion, evoking movement and depth. Across the central circular forms are horizontal bands in varying shades of black and white, further emphasizing a sense of dynamism and vibration. Soto’s use of contrasting colors and lines creates a visual interaction between space and form, a hallmark of his kinetic and optical art. This silkscreen print exemplifies Soto's mastery in manipulating visual perception, drawing the viewer into a constantly shifting and engaging visual experience.
Jesús Rafael Soto (Venezuela, 1923–2005) was a pioneering figure in kinetic and op art. Renowned for his 'Penetrables' series, he created immersive installations that invited viewer interaction, blurring the lines between art and observer. Soto's work explored movement, perception, and the dematerialization of the art object, leaving a lasting impact on contemporary art.
SilkscreenSilkscreen is a printmaking method that uses a screen made of silk or other mesh fabric. The screen is treated with a substance that blocks ink in certain areas, allowing ink to pass through only in the desired sections. Each color in the print requires a separate screen.
Presenza grafica, 1973 - Engraving and screen-print in four colors on Fabriano Rosaspina paper
- Signature and numbering in pencil on the front
- Dry stamp 2RC - Rome
- Publisher and printer 2RC, Rome, in 80 copies and 15 artist proofs
Composición by Rafael Jesús Soto, created in 1971, is a striking example of the artist’s exploration of optical art and geometric abstraction. The work features a large blue circle that dominates the center of the composition, with a smaller concentric circle inside made up of fine horizontal lines. These lines create an optical illusion, evoking movement and depth. Across the central circular forms are horizontal bands in varying shades of black and white, further emphasizing a sense of dynamism and vibration. Soto’s use of contrasting colors and lines creates a visual interaction between space and form, a hallmark of his kinetic and optical art. This silkscreen print exemplifies Soto's mastery in manipulating visual perception, drawing the viewer into a constantly shifting and engaging visual experience.
Jesús Rafael Soto (Venezuela, 1923–2005) was a pioneering figure in kinetic and op art. Renowned for his 'Penetrables' series, he created immersive installations that invited viewer interaction, blurring the lines between art and observer. Soto's work explored movement, perception, and the dematerialization of the art object, leaving a lasting impact on contemporary art.
Art is not expression; art is knowledge.
- Rafael Jesus Soto
Celebrated for his contributions to both the Op Art movement and Kinetic Sculpture, Jesus Rafael Soto worked with a range of materials to create his trademark sculptural reliefs; his works study the interplay between colours as well as the dynamic between foreground and background, both of which often result in a final optical illusion effect, as exemplified in his acclaimed Vibration Blanc et Jaune work. Soto began his artistic career as a post-impressionist painter, but later discovered the methods and teachings of Piet Mondrian, from whom he gained much of his inspiration. Alongside his notable reliefs, Soto created a number of interactive sculptures that allowed direct audience participation – Penetrables is among his most successful works of this kind, of which the artist has remarked ‘’when you enter a penetrable, you have the sensation of being in a light swirl, a total plenitude of vibrations.’’ (Artist website)
Interactive art is a form of art where the spectator is actively involved by the artist to achieve the artwork's purpose. This involvement can include allowing the visitor to walk around, in, or on the art installation, or even becoming a part of the artwork itself. Works in this category often feature computers, sensors, and interfaces that respond to various inputs such as meteorological changes, heat, motion, or other types of data programmed by the artist.