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Small metal plate in front of coloured panel - Signed and numbered on a label affixed to the reverse // Rafael Jesus Soto’s Homenaje al Humano is a mixed-media sculpture that explores the dynamic relationship between form, space, and viewer perception. The work consists of a grid of black metal plates arranged in front of a striped background, with one distinctive orange plate disrupting the uniformity. The interplay of light and shadow across the surfaces of the plates creates a kinetic effect as the viewer moves around the piece, making the composition seem to shift and change with each new angle. Soto’s use of geometry, minimalism, and optical illusions invites the audience to actively engage with the work, creating a dialogue between the physical structure and the perceptual experience. The single orange plate serves as a focal point, offering a subtle yet powerful contrast to the monochromatic elements. This work, signed and numbered on the reverse, exemplifies Soto’s commitment to kinetic and optical art, where movement and perception are key components.
Homenaje al humano, 1976
form
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50 x 66 X 14 cm
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- Centimeters
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Price
Details
Artist
Styles
Small metal plate in front of coloured panel - Signed and numbered on a label affixed to the reverse // Rafael Jesus Soto’s Homenaje al Humano is a mixed-media sculpture that explores the dynamic relationship between form, space, and viewer perception. The work consists of a grid of black metal plates arranged in front of a striped background, with one distinctive orange plate disrupting the uniformity. The interplay of light and shadow across the surfaces of the plates creates a kinetic effect as the viewer moves around the piece, making the composition seem to shift and change with each new angle. Soto’s use of geometry, minimalism, and optical illusions invites the audience to actively engage with the work, creating a dialogue between the physical structure and the perceptual experience. The single orange plate serves as a focal point, offering a subtle yet powerful contrast to the monochromatic elements. This work, signed and numbered on the reverse, exemplifies Soto’s commitment to kinetic and optical art, where movement and perception are key components.
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Rafael Jesus Soto
Óvalo En El Rojo, 1979
Sculpture / Object
Mixed Media
USD 8,950
Rafael Jesus Soto
Sans Titre, 2001
Sculpture / Object
Acrylic Sculpture
EUR 2,800
Rafael Jesus Soto
Permutation, 1955-1978
Sculpture / Object
Object
EUR 5,500
Rafael Jesus Soto
Permutacion, 1979
Sculpture / Object
Mixed Media
USD 8,950
Rafael Jesus Soto
La Escalera Azul , 1979
Sculpture / Object
Mixed Media
USD 8,950
Rafael Jesus Soto
Cuadrado Y Curvas Virtuales, 1979
Sculpture / Object
Mixed Media
USD 8,950
Rafael Jesus Soto
Mirroire, 2005
Sculpture / Object
Glass
EUR 10,000
Rafael Jesus Soto
Kinetic Box, 1964
Sculpture / Object
Screen-print
USD 22,000
Rafael Jesus Soto
Untitled (Blue Horizon Lines), 1976
Limited Edition Print
Screen-print
USD 1,850
Rafael Jesus Soto
Untitled (circles And Lines), 1970
Limited Edition Print
Screen-print
EUR 3,700
Rafael Jesus Soto
Composición, 1971
Limited Edition Print
Silkscreen
EUR 3,100
Rafael Jesus Soto
Escritura, 1979
Sculpture / Object
Mixed Media
USD 8,950
Rafael Jesus Soto
Sotomagie II, 1967
Sculpture / Object
Mixed Media
USD 8,950
Rafael Jesus Soto
Caroni, 1971
Limited Edition Print
Silkscreen
EUR 1,270
Rafael Jesus Soto
Untitled (Silver Lines)
Limited Edition Print
Screen-print
GBP 2,800
Rafael Jesus Soto
Homage To Federico Garcia Lorca, 1999
Limited Edition Print
Silkscreen
EUR 800
Rafael Jesus Soto
Vibrations, 1967
Sculpture / Object
Acrylic Sculpture
EUR 9,200
Rafael Jesus Soto
Espiral Doble, 1979
Sculpture / Object
Mixed Media
USD 8,950
Rafael Jesus Soto
Dos Cuadraditos, 1972
Sculpture / Object
Object
Currently Not Available
Rafael Jesus Soto
Spiral, 1955-83
Limited Edition Print
Silkscreen
Currently Not Available
Rafael Jesus Soto
Cube With Ambiguous Space , 1981
Sculpture / Object
Object
Currently Not Available
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What is kinetic art?
Kinetic art is an international movement that emerged in the 1920s and gained prominence in the 1960s, referring to art that involves both apparent and real motion. It encompasses any medium that includes movement, either relying on actual motion for its effect or being perceived as moving by the viewer. Early examples include canvas paintings designed to create optical illusions of movement. Today, kinetic art often refers to three-dimensional figures and sculptures, such as those operated by machines or those that move naturally. The movement covers a variety of styles and techniques that frequently overlap.
