Sam Francis

Untitled, 1984

106.7 X 73 inch

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Espace cinétique

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Small metal plate in front of coloured panel - Signed and numbered on a label affixed to the reverse // Rafael Jesus Soto’s Homenaje al Humano is a mixed-media sculpture that explores the dynamic relationship between form, space, and viewer perception. The work consists of a grid of black metal plates arranged in front of a striped background, with one distinctive orange plate disrupting the uniformity. The interplay of light and shadow across the surfaces of the plates creates a kinetic effect as the viewer moves around the piece, making the composition seem to shift and change with each new angle. Soto’s use of geometry, minimalism, and optical illusions invites the audience to actively engage with the work, creating a dialogue between the physical structure and the perceptual experience. The single orange plate serves as a focal point, offering a subtle yet powerful contrast to the monochromatic elements. This work, signed and numbered on the reverse, exemplifies Soto’s commitment to kinetic and optical art, where movement and perception are key components.

Artwork Copyright © Rafael Jesus Soto

Homenaje al humano, 1976

form

Medium

Edition

Small metal plate in front of coloured panel - Signed and numbered on a label affixed to the reverse // Rafael Jesus Soto’s Homenaje al Humano is a mixed-media sculpture that explores the dynamic relationship between form, space, and viewer perception. The work consists of a grid of black metal plates arranged in front of a striped background, with one distinctive orange plate disrupting the uniformity. The interplay of light and shadow across the surfaces of the plates creates a kinetic effect as the viewer moves around the piece, making the composition seem to shift and change with each new angle. Soto’s use of geometry, minimalism, and optical illusions invites the audience to actively engage with the work, creating a dialogue between the physical structure and the perceptual experience. The single orange plate serves as a focal point, offering a subtle yet powerful contrast to the monochromatic elements. This work, signed and numbered on the reverse, exemplifies Soto’s commitment to kinetic and optical art, where movement and perception are key components.

Artwork Copyright © Rafael Jesus Soto

Rafael Jesus Soto

Dos Cuadraditos, 1972

Sculpture / Object

Object

USD 9,800

Rafael Jesus Soto

Óvalo En El Rojo, 1979

Sculpture / Object

Mixed Media

USD 8,950

Rafael Jesus Soto

Vibrations, 1967

Sculpture / Object

Acrylic Sculpture

EUR 25,000

Rafael Jesus Soto

Sans Titre, 2001

Sculpture / Object

Acrylic Sculpture

EUR 2,800

Rafael Jesus Soto

Permutation, 1955-1978

Sculpture / Object

Object

EUR 5,500

Rafael Jesus Soto

Permutacion, 1979

Sculpture / Object

Mixed Media

USD 8,950

Rafael Jesus Soto

La Escalera Azul , 1979

Sculpture / Object

Mixed Media

USD 8,950

Rafael Jesus Soto

Cuadrado Y Curvas Virtuales, 1979

Sculpture / Object

Mixed Media

USD 8,950

Rafael Jesus Soto

Mirroire, 2005

Sculpture / Object

Glass

EUR 10,000

Rafael Jesus Soto

Untitled (circles And Lines), 1970

Limited Edition Print

Screen-print

EUR 3,700

Rafael Jesus Soto

Composición, 1971

Limited Edition Print

Silkscreen

EUR 3,100

Rafael Jesus Soto

Escritura, 1979

Sculpture / Object

Mixed Media

USD 8,950

Rafael Jesus Soto

Sotomagie II, 1967

Sculpture / Object

Mixed Media

USD 8,950

Rafael Jesus Soto

Caroni, 1971

Limited Edition Print

Silkscreen

EUR 1,270

Rafael Jesus Soto

Untitled (Silver Lines)

Limited Edition Print

Screen-print

GBP 2,800

Rafael Jesus Soto

Homage To Federico Garcia Lorca, 1999

Limited Edition Print

Silkscreen

EUR 800

Rafael Jesus Soto

Espiral Doble, 1979

Sculpture / Object

Mixed Media

USD 8,950

Rafael Jesus Soto

Spiral, 1955-83

Limited Edition Print

Silkscreen

Currently Not Available

Rafael Jesus Soto

Cube With Ambiguous Space , 1981

Sculpture / Object

Object

Currently Not Available

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What is geometric abstract art?

Geometric abstraction is a form of abstract art that uses geometric shapes arranged in a non-illusionistic space (though not always) and combined into non-representational (non-objective) compositions. Based on years of artistic research, some artists have proposed that geometric abstraction offers a solution to modern challenges by rejecting traditional illusionistic practices in favor of clarity and simplicity.

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