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From Eccentric Polygons series - Lithograph and screenprint on Arches 300 gram paper - Signed, dated and numbered. Dry stamp. Ed. Gemini G.E.L, LA (FS67-115) // Frank Stella's Wolfeboro (1974) from the Eccentric Polygon series is a bold, dynamic lithograph and screenprint that features a complex arrangement of angular shapes. The composition is dominated by vibrant colors, including deep red, purple, orange, and teal. These shapes are outlined with hand-drawn, textured strokes that contrast with the rigid geometry, softening the overall appearance. The polygons are stacked and intersected in a way that creates a sense of depth and movement, further enhanced by the bright, contrasting color palette. Printed on Arches 300-gram paper, the piece is signed, dated, and numbered by Stella, and was produced by Gemini G.E.L., a prestigious print studio in Los Angeles. This work exemplifies Stella’s continued exploration of geometric abstraction and color theory.
Wolfeboro, 1974
form
Medium
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57.5 x 45 cm
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Details
Artist
Styles
From Eccentric Polygons series - Lithograph and screenprint on Arches 300 gram paper - Signed, dated and numbered. Dry stamp. Ed. Gemini G.E.L, LA (FS67-115) // Frank Stella's Wolfeboro (1974) from the Eccentric Polygon series is a bold, dynamic lithograph and screenprint that features a complex arrangement of angular shapes. The composition is dominated by vibrant colors, including deep red, purple, orange, and teal. These shapes are outlined with hand-drawn, textured strokes that contrast with the rigid geometry, softening the overall appearance. The polygons are stacked and intersected in a way that creates a sense of depth and movement, further enhanced by the bright, contrasting color palette. Printed on Arches 300-gram paper, the piece is signed, dated, and numbered by Stella, and was produced by Gemini G.E.L., a prestigious print studio in Los Angeles. This work exemplifies Stella’s continued exploration of geometric abstraction and color theory.
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What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.
