
Details
Artist
Styles
Relief, screenprint, woodcut, engraving on white TGL, handmade, hand-colored paper - Signed, dated and numbered in pencil - Pergusa Three Double, from Circuits Series (A. 167) - With the Tyler Graphics Ltd. blindstamp, Mount Kisco, New York // Frank Stella's Pergusa Three Double (1984) is a richly textured mixed media print that combines relief, screenprint, woodcut, and engraving on hand-colored TGL paper. Part of the Circuits Series, this dynamic composition is filled with a chaotic interplay of vibrant colors and organic, flowing shapes that wind through the piece in abstract, almost serpentine forms. Layers of yellow, green, and red dominate the work, while bold black crosshatch marks punctuate the surface, creating a sense of depth and movement. The irregular shapes are bordered and outlined in contrasting blues and purples, enhancing the energy and complexity of the piece. The mixture of textures and media results in a tactile and visually immersive experience. Signed, dated, and numbered in pencil by Stella, the work also bears the blindstamp of Tyler Graphics Ltd., known for its high-quality print productions. This piece reflects Stella’s experimental approach and his engagement with both abstraction and the physicality of materials.
Pergusa Three Double, 1984
form
Medium
Size
259.1 x 167.6 cm
- Inches
- Centimeters
Edition
Range
- USD
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Details
Artist
Styles
Relief, screenprint, woodcut, engraving on white TGL, handmade, hand-colored paper - Signed, dated and numbered in pencil - Pergusa Three Double, from Circuits Series (A. 167) - With the Tyler Graphics Ltd. blindstamp, Mount Kisco, New York // Frank Stella's Pergusa Three Double (1984) is a richly textured mixed media print that combines relief, screenprint, woodcut, and engraving on hand-colored TGL paper. Part of the Circuits Series, this dynamic composition is filled with a chaotic interplay of vibrant colors and organic, flowing shapes that wind through the piece in abstract, almost serpentine forms. Layers of yellow, green, and red dominate the work, while bold black crosshatch marks punctuate the surface, creating a sense of depth and movement. The irregular shapes are bordered and outlined in contrasting blues and purples, enhancing the energy and complexity of the piece. The mixture of textures and media results in a tactile and visually immersive experience. Signed, dated, and numbered in pencil by Stella, the work also bears the blindstamp of Tyler Graphics Ltd., known for its high-quality print productions. This piece reflects Stella’s experimental approach and his engagement with both abstraction and the physicality of materials.
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What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.