Details
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Lithograph, screenprint on Special Arjomari paper - Signed, numbered and dated in pencil. Dry stamp. Ed. Gemini G.E.L, LA (FS70-318) - From aluminium series // Frank Stella's Avicenna (1970) from the Aluminum Series is a lithograph and screenprint that exemplifies his precise and geometric style. The composition features a square with parallel, angular lines in black, creating a maze-like, rhythmic pattern that draws the viewer's eye toward a small, centered white void. The use of sharp, repeating lines gives the piece a dynamic, architectural feel, while the large amount of negative space on the right balances the intensity of the design. Produced on Special Arjomari paper, this work is signed, dated, and numbered in pencil, and was created in collaboration with Gemini G.E.L., a well-known print studio in Los Angeles. Avicenna reflects Stella’s interest in geometric abstraction and the relationship between structure and emptiness.
Avicenna, 1970
form
Medium
Size
40.6 x 55.9 cm
- Inches
- Centimeters
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Price
Details
Artist
Styles
Lithograph, screenprint on Special Arjomari paper - Signed, numbered and dated in pencil. Dry stamp. Ed. Gemini G.E.L, LA (FS70-318) - From aluminium series // Frank Stella's Avicenna (1970) from the Aluminum Series is a lithograph and screenprint that exemplifies his precise and geometric style. The composition features a square with parallel, angular lines in black, creating a maze-like, rhythmic pattern that draws the viewer's eye toward a small, centered white void. The use of sharp, repeating lines gives the piece a dynamic, architectural feel, while the large amount of negative space on the right balances the intensity of the design. Produced on Special Arjomari paper, this work is signed, dated, and numbered in pencil, and was created in collaboration with Gemini G.E.L., a well-known print studio in Los Angeles. Avicenna reflects Stella’s interest in geometric abstraction and the relationship between structure and emptiness.
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What is lyrical abstraction ?
Lyrical abstraction is a descriptive term characterizing a type of abstract painting closely related to Abstract Expressionism, in use from the 1940s to the present. The term can also describe two distinct but related trends in post-World War II modernist painting. This art movement originated in Paris, France, after the war, emphasizing personal expression, spontaneity, and the emotional use of color and form.
