Sam Francis

Untitled, 1984

106.7 X 73 inch

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JHM-I

Josef Albers Astatic woodcut geometric white shapes on textured dark woodgrain background
Josef Albers Astatic woodcut geometric white shapes on textured dark woodgrain background
Josef Albers Astatic woodcut geometric white shapes on textured dark woodgrain background

Woodcut on Japanese nacre kozo paper. Signed in pencil and dated 44 (lower right). Titled Astatic and numbered (lower left). Published by the artist. Image: 33.7 × 22.9 cm. Paper: 44.5 × 28.3 cm. Josef Albers’ Astatic (Danilowitz 116) (1944) is a woodcut on Japanese nacre kozo paper that explores geometric precision and optical tension. A chain-like formation of angular, faceted shapes appears to hover against a richly textured, woodgrain background, creating a dynamic interplay between figure and ground. The stark contrast between the crisp white forms and the dark surface enhances a sense of movement and instability, despite the composition’s careful balance. Published by the artist and produced in a limited edition, the work reflects Albers’ early investigations into perception, structure, and visual rhythm.

Artwork Copyright © Josef Albers

Astatic (Danilowitz 116), 1944

form

Medium

Edition

Woodcut on Japanese nacre kozo paper. Signed in pencil and dated 44 (lower right). Titled Astatic and numbered (lower left). Published by the artist. Image: 33.7 × 22.9 cm. Paper: 44.5 × 28.3 cm. Josef Albers’ Astatic (Danilowitz 116) (1944) is a woodcut on Japanese nacre kozo paper that explores geometric precision and optical tension. A chain-like formation of angular, faceted shapes appears to hover against a richly textured, woodgrain background, creating a dynamic interplay between figure and ground. The stark contrast between the crisp white forms and the dark surface enhances a sense of movement and instability, despite the composition’s careful balance. Published by the artist and produced in a limited edition, the work reflects Albers’ early investigations into perception, structure, and visual rhythm.

Artwork Copyright © Josef Albers

Josef Albers

Astatic (Danilowitz 116), 1944

Limited Edition Print

Woodcut

USD 10,200

Josef Albers

JHM-I, 1973

Limited Edition Print

Screen-print

Inquire For Price

Josef Albers

JHM-II, 1973

Limited Edition Print

Screen-print

Inquire For Price

Josef Albers

Variants-III (from The Ten Variants Series), 1966

Limited Edition Print

Screen-print

Inquire For Price

Josef Albers

Late, From Soft Edge-Hard Edge, 1965

Limited Edition Print

Screen-print

USD 10,000 - 15,000

Josef Albers

Midnight + Noon I, 1964

Limited Edition Print

Lithograph

USD 40,000 - 50,000

Josef Albers

Variants II, From Ten Variants, 1966

Limited Edition Print

Screen-print

USD 5,400

Josef Albers

Variants I, From Ten Variants, 1966

Limited Edition Print

Screen-print

USD 5,400

Josef Albers

Variants IV, From Ten Variants, 1966

Limited Edition Print

Screen-print

USD 5,400

Josef Albers

GB 2 (From Homage To The Square), 1969

Limited Edition Print

Screen-print

Currently Not Available

Josef Albers

Concord (From Dei Oberflache), 1965

Limited Edition Print

Screen-print

Currently Not Available

Josef Albers

Homage To The Square, 1970

Limited Edition Print

Screen-print

Currently Not Available

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What is Op Art?

Op Art is a visual art style that uses optical illusions to create the impression of movement, vibrating patterns, flashing, or hidden images. The works are typically abstract, with many well-known pieces in black and white. The roots of Op Art can be traced back to earlier movements like Futurism, Constructivism, Dada, and Neo-Impressionism, particularly in their use of color effects and graphic design.

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