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From the Josef Albers Honors the Hirshhorn Museum and Sculpture Garden portfolio. Color Screenprint on German Etching paper. Signed, Dated and Numbered. Published by Ives-Sillman, Inc., New Haven and produced for HLK Ltd., Boston and Parasol Press, New York on behalf of the Hirshhorn Museum and Sculpture Garden, Washington, D.C. Cat. Raisonne: Danilowitz 2010, no. 224.1 JHM-I by Josef Albers, created in 1973, is a color screenprint from the Josef Albers Honors the Hirshhorn Museum and Sculpture Garden portfolio. Continuing his iconic Homage to the Square series, Albers arranges four nested squares in graduated red tones, from vibrant outer edges to a deep, saturated center. This minimalist composition investigates the optical effects of color interaction and spatial depth, central themes in Albers’ teaching and artistic practice. Printed on German Etching paper in an edition of 144, the work invites viewers to perceive subtle shifts in hue and intensity through precise visual structure.
JHM-I, 1973
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Medium
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63.5 x 88.9 cm
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Details
Artist
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From the Josef Albers Honors the Hirshhorn Museum and Sculpture Garden portfolio. Color Screenprint on German Etching paper. Signed, Dated and Numbered. Published by Ives-Sillman, Inc., New Haven and produced for HLK Ltd., Boston and Parasol Press, New York on behalf of the Hirshhorn Museum and Sculpture Garden, Washington, D.C. Cat. Raisonne: Danilowitz 2010, no. 224.1 JHM-I by Josef Albers, created in 1973, is a color screenprint from the Josef Albers Honors the Hirshhorn Museum and Sculpture Garden portfolio. Continuing his iconic Homage to the Square series, Albers arranges four nested squares in graduated red tones, from vibrant outer edges to a deep, saturated center. This minimalist composition investigates the optical effects of color interaction and spatial depth, central themes in Albers’ teaching and artistic practice. Printed on German Etching paper in an edition of 144, the work invites viewers to perceive subtle shifts in hue and intensity through precise visual structure.
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What is concrete art?
Concrete Art is an art movement founded by the Dutch artist Theo van Doesburg in the 1930s. The movement emphasizes pure abstraction, focusing on geometric shapes and colors without any reference to the natural world or symbolic meaning. Unlike other forms of abstract art, Concrete Art is entirely non-representational and is based on mathematical principles and precise execution. It aims to create universal, timeless works by using simple, clear forms that emphasize objectivity and clarity.
