Sam Francis

Untitled, 1984

106.7 X 73 inch

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Variants I, from Ten Variants

Josef Albers, Variants II, screenprint with overlapping rectangles in green, yellow, blue, and white, exploring color relationships and optical play.

Screenprint in colors, on Rives BFK paper - Signed, Titled, Dated and Numbered - Published by Ives-Sillman, Inc., New Haven (with their blindstamp) // Josef Albers' Variants II, from Ten Variants (1966) is a screenprint on Rives BFK paper, measuring 43.2 x 43.2 cm. This print showcases Albers' exploration of color relationships through geometric abstraction. The composition is structured with overlapping rectangular shapes in a harmonious palette of green, yellow, blue, and white. The translucent layers create an optical play, as the colors interact and form new shades where they intersect. Albers’ precise and calculated approach highlights his interest in how colors shift in perception based on their context. The work exemplifies his mastery in balancing form and hue to produce a sense of depth and dynamic movement within a minimalist framework.

Artwork Copyright © Josef Albers

Variants II, from Ten Variants, 1966

form

Medium

Edition

Screenprint in colors, on Rives BFK paper - Signed, Titled, Dated and Numbered - Published by Ives-Sillman, Inc., New Haven (with their blindstamp) // Josef Albers' Variants II, from Ten Variants (1966) is a screenprint on Rives BFK paper, measuring 43.2 x 43.2 cm. This print showcases Albers' exploration of color relationships through geometric abstraction. The composition is structured with overlapping rectangular shapes in a harmonious palette of green, yellow, blue, and white. The translucent layers create an optical play, as the colors interact and form new shades where they intersect. Albers’ precise and calculated approach highlights his interest in how colors shift in perception based on their context. The work exemplifies his mastery in balancing form and hue to produce a sense of depth and dynamic movement within a minimalist framework.

Artwork Copyright © Josef Albers

Josef Albers

Astatic (Danilowitz 116), 1944

Limited Edition Print

Woodcut

USD 10,200

Josef Albers

JHM-I, 1973

Limited Edition Print

Screen-print

Inquire For Price

Josef Albers

JHM-II, 1973

Limited Edition Print

Screen-print

Inquire For Price

Josef Albers

Variants-III (from The Ten Variants Series), 1966

Limited Edition Print

Screen-print

Inquire For Price

Josef Albers

Late, From Soft Edge-Hard Edge, 1965

Limited Edition Print

Screen-print

USD 10,000 - 15,000

Josef Albers

Midnight + Noon I, 1964

Limited Edition Print

Lithograph

USD 40,000 - 50,000

Josef Albers

Variants II, From Ten Variants, 1966

Limited Edition Print

Screen-print

USD 5,400

Josef Albers

Variants I, From Ten Variants, 1966

Limited Edition Print

Screen-print

USD 5,400

Josef Albers

Variants IV, From Ten Variants, 1966

Limited Edition Print

Screen-print

USD 5,400

Josef Albers

GB 2 (From Homage To The Square), 1969

Limited Edition Print

Screen-print

Currently Not Available

Josef Albers

Concord (From Dei Oberflache), 1965

Limited Edition Print

Screen-print

Currently Not Available

Josef Albers

Homage To The Square, 1970

Limited Edition Print

Screen-print

Currently Not Available

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What is concrete art?

Concrete Art is an art movement founded by the Dutch artist Theo van Doesburg in the 1930s. The movement emphasizes pure abstraction, focusing on geometric shapes and colors without any reference to the natural world or symbolic meaning. Unlike other forms of abstract art, Concrete Art is entirely non-representational and is based on mathematical principles and precise execution. It aims to create universal, timeless works by using simple, clear forms that emphasize objectivity and clarity.

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