Sam Francis

Untitled, 1984

106.7 X 73 inch

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Concord (From Dei Oberflache)

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Midnight + Noon I

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Sheet 9 from the 10 portfolio "Homage to the Square” - Color screeprint on wove paper - Signed, Numbered and Dated - Published by Josef Keller Verlag, Starnberg. - Printed by Herbert Geier, Ingolstadt. - Catalogue raisonné: Danilowitz, no. 203.9. // Josef Albers' Homage to the Square (1970) is a screenprint from the iconic series that explores the interplay of color and form. This particular print, measuring 21 x 21 inches, features a series of nested squares in varying shades of black and gray, creating a sense of depth and subtle contrast. The precision and simplicity of the composition highlight Albers' interest in how colors interact and the optical effects that arise from their placement. The gradation of tones invites viewers to experience shifts in perception, as the overlapping squares appear to fluctuate in size and intensity. This work exemplifies Albers' ongoing investigation into the relationships between form, color, and perception, embodying his minimalist approach and rigorous geometric exploration.

Artwork Copyright © Josef Albers

Homage to the Square, 1970

form

Medium

Edition

Sheet 9 from the 10 portfolio "Homage to the Square” - Color screeprint on wove paper - Signed, Numbered and Dated - Published by Josef Keller Verlag, Starnberg. - Printed by Herbert Geier, Ingolstadt. - Catalogue raisonné: Danilowitz, no. 203.9. // Josef Albers' Homage to the Square (1970) is a screenprint from the iconic series that explores the interplay of color and form. This particular print, measuring 21 x 21 inches, features a series of nested squares in varying shades of black and gray, creating a sense of depth and subtle contrast. The precision and simplicity of the composition highlight Albers' interest in how colors interact and the optical effects that arise from their placement. The gradation of tones invites viewers to experience shifts in perception, as the overlapping squares appear to fluctuate in size and intensity. This work exemplifies Albers' ongoing investigation into the relationships between form, color, and perception, embodying his minimalist approach and rigorous geometric exploration.

Artwork Copyright © Josef Albers

Josef Albers

Astatic (Danilowitz 116), 1944

Limited Edition Print

Woodcut

USD 10,200

Josef Albers

JHM-I, 1973

Limited Edition Print

Screen-print

Inquire For Price

Josef Albers

JHM-II, 1973

Limited Edition Print

Screen-print

Inquire For Price

Josef Albers

Variants-III (from The Ten Variants Series), 1966

Limited Edition Print

Screen-print

Inquire For Price

Josef Albers

Late, From Soft Edge-Hard Edge, 1965

Limited Edition Print

Screen-print

USD 10,000 - 15,000

Josef Albers

Variants II, From Ten Variants, 1966

Limited Edition Print

Screen-print

USD 5,400

Josef Albers

Variants I, From Ten Variants, 1966

Limited Edition Print

Screen-print

USD 5,400

Josef Albers

Variants IV, From Ten Variants, 1966

Limited Edition Print

Screen-print

USD 5,400

Josef Albers

GB 2 (From Homage To The Square), 1969

Limited Edition Print

Screen-print

Currently Not Available

Josef Albers

Concord (From Dei Oberflache), 1965

Limited Edition Print

Screen-print

Currently Not Available

Josef Albers

Homage To The Square, 1970

Limited Edition Print

Screen-print

Currently Not Available

Josef Albers

Midnight + Noon I, 1964

Limited Edition Print

Lithograph

Currently Not Available

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What is geometric abstract art?

Geometric abstraction is a form of abstract art that uses geometric shapes arranged in a non-illusionistic space (though not always) and combined into non-representational (non-objective) compositions. Based on years of artistic research, some artists have proposed that geometric abstraction offers a solution to modern challenges by rejecting traditional illusionistic practices in favor of clarity and simplicity.

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