Sam Francis

Untitled, 1984

106.7 X 73 inch

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I-S LXXiiib

Josef Albers, Homage to the Square, screenprint featuring nested black and gray squares creating depth and optical variation.

Sheet 9 from the 10 portfolio "Homage to the Square” - Color screeprint on wove paper - Signed, Numbered and Dated - Published by Josef Keller Verlag, Starnberg. - Printed by Herbert Geier, Ingolstadt. - Catalogue raisonné: Danilowitz, no. 203.9. // Josef Albers' Homage to the Square (1970) is a screenprint from the iconic series that explores the interplay of color and form. This particular print, measuring 21 x 21 inches, features a series of nested squares in varying shades of black and gray, creating a sense of depth and subtle contrast. The precision and simplicity of the composition highlight Albers' interest in how colors interact and the optical effects that arise from their placement. The gradation of tones invites viewers to experience shifts in perception, as the overlapping squares appear to fluctuate in size and intensity. This work exemplifies Albers' ongoing investigation into the relationships between form, color, and perception, embodying his minimalist approach and rigorous geometric exploration.

Artwork Copyright © Josef Albers

Homage to the Square, 1970

form

Medium

Edition

Sheet 9 from the 10 portfolio "Homage to the Square” - Color screeprint on wove paper - Signed, Numbered and Dated - Published by Josef Keller Verlag, Starnberg. - Printed by Herbert Geier, Ingolstadt. - Catalogue raisonné: Danilowitz, no. 203.9. // Josef Albers' Homage to the Square (1970) is a screenprint from the iconic series that explores the interplay of color and form. This particular print, measuring 21 x 21 inches, features a series of nested squares in varying shades of black and gray, creating a sense of depth and subtle contrast. The precision and simplicity of the composition highlight Albers' interest in how colors interact and the optical effects that arise from their placement. The gradation of tones invites viewers to experience shifts in perception, as the overlapping squares appear to fluctuate in size and intensity. This work exemplifies Albers' ongoing investigation into the relationships between form, color, and perception, embodying his minimalist approach and rigorous geometric exploration.

Artwork Copyright © Josef Albers

Josef Albers

Homage To Square, 1971

Limited Edition Print

Screen-print

USD 6,200

Josef Albers

Midnight + Noon I, 1964

Limited Edition Print

Lithograph

USD 40,000 - 50,000

Josef Albers

Variants II, From Ten Variants, 1966

Limited Edition Print

Screen-print

USD 5,400

Josef Albers

Variants I, From Ten Variants, 1966

Limited Edition Print

Screen-print

USD 5,400

Josef Albers

Variants IV, From Ten Variants, 1966

Limited Edition Print

Screen-print

USD 5,400

Josef Albers

I-S VA 4 (from Six Variants Suite), 1969

Limited Edition Print

Screen-print

USD 5,000 - 7,000

Josef Albers

GB 2 (From Homage To The Square), 1969

Limited Edition Print

Screen-print

Currently Not Available

Josef Albers

Concord (From Dei Oberflache), 1965

Limited Edition Print

Screen-print

Currently Not Available

Josef Albers

I-S Va 3, 1969

Limited Edition Print

Screen-print

Currently Not Available

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What is minimalism?

Minimalism is a style in music and visual arts characterized by pared-down designs and simplicity. It began in Western art after World War II, gaining prominence particularly in American visual arts. Minimalism draws heavily on aspects of modernism and is often viewed as a reaction against Abstract Expressionism, as well as a precursor to post-minimal art practices. Prominent minimalist artists include Agnes Martin, Donald Judd, Robert Morris, Frank Stella, and Dan Flavin.

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