Josef Albers – Variants-III (from the Ten Variants Series), 1966 – Screen-print

View in a Room

Screenprint in colors, on Rives BFK paper. Signed, Titled, Dated and Numbered.

Variants-III (1966) by Josef Albers belongs to his Ten Variants series, a continuation of his lifelong investigation into color relationships and spatial perception. This screenprint employs a subdued palette of greys and muted greens arranged in rectilinear forms that appear to recede and advance on the surface. Albers manipulates the viewer’s perception through the precise arrangement of form and tone, evoking depth within flatness. Rooted in the Bauhaus tradition, this print exemplifies his systematic approach to abstraction, where subtle shifts in color provoke dynamic visual effects.

Josef Albers (Germany/USA, 1888–1976) was a groundbreaking artist, designer, and educator central to the Bauhaus movement and modern art. Known for his Homage to the Square series, he explored color theory and perception. Albers’ teachings and writings, like Interaction of Color, have profoundly influenced contemporary art and design education.

Josef Albers

Variants-III (from the Ten Variants Series), 1966

Form

Limited Edition Print

Limited Edition PrintA limited edition print is one of a number of prints made at the same time from one printmaking plate. A fixed number are made and signed by the artist, indicating the printing order, using the format 1/10, meaning first of ten prints.

Medium

Screen-print

Screen-printScreen printing is a technique where ink is transferred through a mesh onto a substrate, with areas blocked by a stencil to prevent ink from passing through. This method, also known as serigraphy or silkscreen printing, is commonly used to produce prints on posters, T-shirts, vinyl, stickers, wood, and other materials. The process is a type of stencil printing, allowing for vibrant, detailed designs on various surfaces.

Edition

Edition of 200

Authenticity Guaranteed
Insured Shipping
Online Since 2005

●Inventory 16115

●Signed

Limited Edition Print

Limited Edition Print

Sold

Abstraction is real, probably more real than nature.
- Josef Albers

Often cited as one of the founders of minimalist and conceptual art, Josef Albers is widely acclaimed for his theoretical teachings on art and his interplay between shape and colour. Among his most recognised works, Homage to the Square is a series which spanned across the 50’s and the 60’s, and features a range of rigid, geometric productions applied to canvas, all of which were offset by whichever colour palette he had chosen to adopt – the combination of the geometry and colour creates various optical effects, for which Albers has become renowned. Albers has stated ‘abstraction is real, probably more real than nature’ - his work is an attempt to portray this philosophy, and he challenges the viewer to analyse their own perspective with each piece; Structural Constellations is perhaps is most celebrated work of this kind, a subtle piece composed of simple lines that combine to create illusory forms. (Artist website)

Art Movements - November 28, 2022

Shadow Play and Geometry: The Optical Phenomena of Hard Edge Painting

Discover the world of Hard Edge Painting, where geometry and optical effects meet. Explore the movement's pioneers and its influence on abstraction.Read More

Popular, Art Movements - April 1, 2025

The Science of Color: How Artists Use Color Theory to Evoke Emotion

Discover how artists like Rothko and Albers use color to stir emotion—exploring color theory, psychology, and the power of visual perception.Read More

Art Movements - April 12, 2024

The Visual Language of Geometric abstraction

Dive into the world of geometric abstraction! Discover how artists use shape, color, and space to create harmony, rhythm, and timeless expression.Read More

Artwork by Joseph Albers

What is concrete art?

Concrete Art is an art movement founded by the Dutch artist Theo van Doesburg in the 1930s. The movement emphasizes pure abstraction, focusing on geometric shapes and colors without any reference to the natural world or symbolic meaning. Unlike other forms of abstract art, Concrete Art is entirely non-representational and is based on mathematical principles and precise execution. It aims to create universal, timeless works by using simple, clear forms that emphasize objectivity and clarity.

Explore »

Josef Albers

Variants-III (from the Ten Variants Series), 1966

43.2 x 43.2 cm

Language & Currency

Josef Albers