Sam Francis

Untitled, 1984

106.7 X 73 inch

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I-S VA 4 (from Six Variants suite)

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Concord (From Dei Oberflache)

Josef Albers's GB 2 (From Homage to the Square), 1969 screen print, features nested red and orange squares on German etching paper.

Screenprint on German etching paper - Signed, Titled and Dated // GB 2 (From Homage to the Square) by Josef Albers, created in 1969, is a screen print from the artist’s iconic Homage to the Square series. This limited edition piece is printed on German etching paper and features a composition of nested squares in varying shades of red and orange, meticulously arranged to explore the relationship between color and form. Albers' precise use of geometric shapes emphasizes how colors interact with one another, affecting the viewer's perception of depth and space. The simplicity of the squares contrasts with the complex optical effects generated by the color combinations. Albers, a master of color theory, used his Homage to the Square series to demonstrate how adjacent colors can dramatically influence the appearance of each hue. This screen print is signed, titled, and dated, marking it as a carefully crafted example of Albers’ exploration of minimalism and color interaction in abstract art.

Artwork Copyright © Josef Albers

GB 2 (From Homage to the Square), 1969

form

Medium

Edition

Screenprint on German etching paper - Signed, Titled and Dated // GB 2 (From Homage to the Square) by Josef Albers, created in 1969, is a screen print from the artist’s iconic Homage to the Square series. This limited edition piece is printed on German etching paper and features a composition of nested squares in varying shades of red and orange, meticulously arranged to explore the relationship between color and form. Albers' precise use of geometric shapes emphasizes how colors interact with one another, affecting the viewer's perception of depth and space. The simplicity of the squares contrasts with the complex optical effects generated by the color combinations. Albers, a master of color theory, used his Homage to the Square series to demonstrate how adjacent colors can dramatically influence the appearance of each hue. This screen print is signed, titled, and dated, marking it as a carefully crafted example of Albers’ exploration of minimalism and color interaction in abstract art.

Artwork Copyright © Josef Albers

Josef Albers

Homage To Square, 1971

Limited Edition Print

Screen-print

USD 6,200

Josef Albers

Midnight + Noon I, 1964

Limited Edition Print

Lithograph

USD 40,000 - 50,000

Josef Albers

Variants II, From Ten Variants, 1966

Limited Edition Print

Screen-print

USD 5,400

Josef Albers

Variants I, From Ten Variants, 1966

Limited Edition Print

Screen-print

USD 5,400

Josef Albers

Variants IV, From Ten Variants, 1966

Limited Edition Print

Screen-print

USD 5,400

Josef Albers

I-S VA 4 (from Six Variants Suite), 1969

Limited Edition Print

Screen-print

USD 5,000 - 7,000

Josef Albers

GB 2 (From Homage To The Square), 1969

Limited Edition Print

Screen-print

Currently Not Available

Josef Albers

Concord (From Dei Oberflache), 1965

Limited Edition Print

Screen-print

Currently Not Available

Josef Albers

I-S Va 3, 1969

Limited Edition Print

Screen-print

Currently Not Available

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What is Hard Edge Art?

Hard Edge art is a style of abstract painting that became popular in the 1960s. It features areas of color separated by crisp, sharp edges that are painted with geometric precision. The term hard-edge painting was coined by art critic Jules Langsner to describe this approach, which contrasts with the softer, more fluid forms of other abstract styles.

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