Sam Francis

Untitled, 1984

106.7 X 73 inch

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Variants I, from Ten Variants

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I-S VA 4 (from Six Variants suite)

Josef Albers's Variants IV, screen print, features nested rectangles in shades of blue, gray, and black, exploring color perception.

Screenprint in colors, on Rives BFK paper - Signed, Titled, Dated and Numbered - Published by Ives-Sillman, Inc., New Haven (with their blindstamp) // Josef Albers's Variants IV, from Ten Variants (1966) is a screen print that exemplifies his mastery in exploring color relationships and geometric abstraction. This piece, printed on Rives BFK paper, features a structured composition of nested rectangles in various shades of blue, gray, and black. The use of precise shapes and tonal gradation creates a sense of depth and dimensionality, making the flat image appear almost three-dimensional. Albers's approach focuses on the interaction of colors and their effect on perception, inviting the viewer to engage with the visual shifts and optical illusions created by the overlapping forms. This limited edition print, signed, titled, dated, and numbered, was published by Ives-Sillman, Inc. and bears their blindstamp, reflecting the artist's dedication to precision and form.

Artwork Copyright © Josef Albers

Variants IV, from Ten Variants, 1966

form

Medium

Edition

Screenprint in colors, on Rives BFK paper - Signed, Titled, Dated and Numbered - Published by Ives-Sillman, Inc., New Haven (with their blindstamp) // Josef Albers's Variants IV, from Ten Variants (1966) is a screen print that exemplifies his mastery in exploring color relationships and geometric abstraction. This piece, printed on Rives BFK paper, features a structured composition of nested rectangles in various shades of blue, gray, and black. The use of precise shapes and tonal gradation creates a sense of depth and dimensionality, making the flat image appear almost three-dimensional. Albers's approach focuses on the interaction of colors and their effect on perception, inviting the viewer to engage with the visual shifts and optical illusions created by the overlapping forms. This limited edition print, signed, titled, dated, and numbered, was published by Ives-Sillman, Inc. and bears their blindstamp, reflecting the artist's dedication to precision and form.

Artwork Copyright © Josef Albers

Josef Albers

Homage To Square, 1971

Limited Edition Print

Screen-print

USD 6,200

Josef Albers

Midnight + Noon I, 1964

Limited Edition Print

Lithograph

USD 40,000 - 50,000

Josef Albers

Variants II, From Ten Variants, 1966

Limited Edition Print

Screen-print

USD 5,400

Josef Albers

Variants I, From Ten Variants, 1966

Limited Edition Print

Screen-print

USD 5,400

Josef Albers

Variants IV, From Ten Variants, 1966

Limited Edition Print

Screen-print

USD 5,400

Josef Albers

I-S VA 4 (from Six Variants Suite), 1969

Limited Edition Print

Screen-print

USD 5,000 - 7,000

Josef Albers

GB 2 (From Homage To The Square), 1969

Limited Edition Print

Screen-print

Currently Not Available

Josef Albers

Concord (From Dei Oberflache), 1965

Limited Edition Print

Screen-print

Currently Not Available

Josef Albers

I-S Va 3, 1969

Limited Edition Print

Screen-print

Currently Not Available

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Bauhaus was a school of art, design and architecture established in Weimar, Germany. Architect Wlater Gropius established it in 1919. Bauhaus used a method for teaching within a community of artists working together and incorporating art in the fundamentals of daily life.

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