Josef Albers – Concord (From Dei Oberflache), 1965 – Screen-print

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Color Screenprint on Mohawk Superfine Bristol paper - Signed, Dated and Titled - Printed by Sirocco Screenprints, published by Ives-Sillman, Inc., New Haven - Cat. Ras: Danilowitz, 167.1-5

Josef Albers's Concord (From Dei Oberflache) (1965) is a color screen-print on Mohawk Superfine Bristol paper, measuring 12.2 x 12.2 cm. This piece is a part of Albers’s celebrated Homage to the Square series, where concentric squares in carefully chosen colors explore the interaction of hues. In this work, earthy tones of orange, yellow, and olive green form a harmonious yet subtly shifting composition. Albers’s precision in color choice creates optical effects that challenge the viewer’s perception of space and depth. The work reflects Albers’s lifelong commitment to understanding the relationships between color, form, and perception.

Josef Albers (Germany/USA, 1888–1976) was a groundbreaking artist, designer, and educator central to the Bauhaus movement and modern art. Known for his Homage to the Square series, he explored color theory and perception. Albers’ teachings and writings, like Interaction of Color, have profoundly influenced contemporary art and design education.

Josef Albers

Concord (From Dei Oberflache), 1965

Form

Limited Edition Print

Limited Edition PrintA limited edition print is one of a number of prints made at the same time from one printmaking plate. A fixed number are made and signed by the artist, indicating the printing order, using the format 1/10, meaning first of ten prints.

Medium

Screen-print

Screen-printScreen printing is a technique where ink is transferred through a mesh onto a substrate, with areas blocked by a stencil to prevent ink from passing through. This method, also known as serigraphy or silkscreen printing, is commonly used to produce prints on posters, T-shirts, vinyl, stickers, wood, and other materials. The process is a type of stencil printing, allowing for vibrant, detailed designs on various surfaces.

Edition

Edition of 120

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Abstraction is real, probably more real than nature.
- Josef Albers

Often cited as one of the founders of minimalist and conceptual art, Josef Albers is widely acclaimed for his theoretical teachings on art and his interplay between shape and colour. Among his most recognised works, Homage to the Square is a series which spanned across the 50’s and the 60’s, and features a range of rigid, geometric productions applied to canvas, all of which were offset by whichever colour palette he had chosen to adopt – the combination of the geometry and colour creates various optical effects, for which Albers has become renowned. Albers has stated ‘abstraction is real, probably more real than nature’ - his work is an attempt to portray this philosophy, and he challenges the viewer to analyse their own perspective with each piece; Structural Constellations is perhaps is most celebrated work of this kind, a subtle piece composed of simple lines that combine to create illusory forms. (Artist website)

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What is Bauhaus?

Bauhaus was a school of art, design and architecture established in Weimar, Germany. Architect Wlater Gropius established it in 1919. Bauhaus used a method for teaching within a community of artists working together and incorporating art in the fundamentals of daily life.

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Josef Albers

Concord (From Dei Oberflache), 1965

31 x 31 cm

Language & Currency

Josef Albers