Sam Francis

Untitled, 1984

106.7 X 73 inch

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Homage to the Square

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Astatic (Danilowitz 116)

Josef Albers's Midnight + Noon I, lithograph, features nested squares in black and gray tones, exploring tonal variation and depth.

Color lithograph on Arches paper - Unique Trial Proof - Signed, titled, dated and inscribed "Trial Proof" in pencil, lower margin. // Josef Albers's Midnight + Noon I (1964) is a minimalist lithograph that exemplifies his exploration of color interaction and geometric abstraction. This unique trial proof, printed on Arches paper, features a composition of nested squares in various shades of black and gray, creating a subtle gradient effect. The artwork's focus on tonal variation highlights Albers's interest in the perception of color and light, as well as the illusion of depth and spatial relationships. The precise arrangement of squares invites viewers to engage with the nuances of shadow and contrast, embodying Albers's disciplined, methodical approach to abstraction. The print is signed, titled, dated, and inscribed as a Trial Proof in pencil along the lower margin, adding to its uniqueness and collectible value.

Artwork Copyright © Josef Albers

Midnight + Noon I, 1964

form

Medium

Edition

Color lithograph on Arches paper - Unique Trial Proof - Signed, titled, dated and inscribed "Trial Proof" in pencil, lower margin. // Josef Albers's Midnight + Noon I (1964) is a minimalist lithograph that exemplifies his exploration of color interaction and geometric abstraction. This unique trial proof, printed on Arches paper, features a composition of nested squares in various shades of black and gray, creating a subtle gradient effect. The artwork's focus on tonal variation highlights Albers's interest in the perception of color and light, as well as the illusion of depth and spatial relationships. The precise arrangement of squares invites viewers to engage with the nuances of shadow and contrast, embodying Albers's disciplined, methodical approach to abstraction. The print is signed, titled, dated, and inscribed as a Trial Proof in pencil along the lower margin, adding to its uniqueness and collectible value.

Artwork Copyright © Josef Albers

Josef Albers

Astatic (Danilowitz 116), 1944

Limited Edition Print

Woodcut

USD 10,200

Josef Albers

JHM-I, 1973

Limited Edition Print

Screen-print

Inquire For Price

Josef Albers

JHM-II, 1973

Limited Edition Print

Screen-print

Inquire For Price

Josef Albers

Variants-III (from The Ten Variants Series), 1966

Limited Edition Print

Screen-print

Inquire For Price

Josef Albers

Late, From Soft Edge-Hard Edge, 1965

Limited Edition Print

Screen-print

USD 10,000 - 15,000

Josef Albers

Variants II, From Ten Variants, 1966

Limited Edition Print

Screen-print

USD 5,400

Josef Albers

Variants I, From Ten Variants, 1966

Limited Edition Print

Screen-print

USD 5,400

Josef Albers

Variants IV, From Ten Variants, 1966

Limited Edition Print

Screen-print

USD 5,400

Josef Albers

GB 2 (From Homage To The Square), 1969

Limited Edition Print

Screen-print

Currently Not Available

Josef Albers

Concord (From Dei Oberflache), 1965

Limited Edition Print

Screen-print

Currently Not Available

Josef Albers

Homage To The Square, 1970

Limited Edition Print

Screen-print

Currently Not Available

Josef Albers

Midnight + Noon I, 1964

Limited Edition Print

Lithograph

Currently Not Available

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What is conceptual art?

Sometimes referred to as Conceptualism, this is an art form where the idea(s) or concept(s) behind the work take precedence over material concerns and traditional aesthetics. Many conceptual artworks can be created by anyone simply by following written instructions. The concept or idea is the most essential aspect of the artwork.

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