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From V Series - Lithograph with varnish on Lowell paper - Signed, dated, and numbered in pencil - Literature: Axsom 25, Gemini 79 - Published by Gemini G.E.L., Los Angeles // Quathlamba I by Frank Stella, created in 1968, is part of his celebrated V Series and showcases his geometric abstraction style through a lithograph with varnish on Lowell paper. This limited edition print features a bold, angular V shape, composed of intersecting lines in black, brown, and rust red tones. The parallel lines, arranged in tight, precise patterns, form a sharp, structured composition that emphasizes depth and optical movement. The dynamic interplay of colors and the use of varnish gives the print a striking visual texture and complexity. Stella's minimalist yet intricate design invites the viewer to explore the tension between flatness and dimensionality. This print is signed, dated, and numbered by the artist, reinforcing its importance within Stella's body of work. Quathlamba I is a fine example of Stella’s exploration of formalism and abstraction in the late 1960s.
Quathlamba I, 1968
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41.3 x 73.2 cm
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Details
Artist
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From V Series - Lithograph with varnish on Lowell paper - Signed, dated, and numbered in pencil - Literature: Axsom 25, Gemini 79 - Published by Gemini G.E.L., Los Angeles // Quathlamba I by Frank Stella, created in 1968, is part of his celebrated V Series and showcases his geometric abstraction style through a lithograph with varnish on Lowell paper. This limited edition print features a bold, angular V shape, composed of intersecting lines in black, brown, and rust red tones. The parallel lines, arranged in tight, precise patterns, form a sharp, structured composition that emphasizes depth and optical movement. The dynamic interplay of colors and the use of varnish gives the print a striking visual texture and complexity. Stella's minimalist yet intricate design invites the viewer to explore the tension between flatness and dimensionality. This print is signed, dated, and numbered by the artist, reinforcing its importance within Stella's body of work. Quathlamba I is a fine example of Stella’s exploration of formalism and abstraction in the late 1960s.
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Who are the American Abstract Artists (AAA) ?
American Abstract Artists (AAA) is an organization founded in New York City in 1936 to promote abstract art and its appreciation in the United States. At a time when abstract art faced strong opposition from critics, the AAA provided crucial exhibition opportunities for abstract artists, helping to foster the growth and acceptance of the movement.
