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From V Series - Lithograph with varnish on Lowell paper - Signed, dated, and numbered in pencil - Literature: Axsom 25, Gemini 79 - Published by Gemini G.E.L., Los Angeles // Quathlamba I by Frank Stella, created in 1968, is part of his celebrated V Series and showcases his geometric abstraction style through a lithograph with varnish on Lowell paper. This limited edition print features a bold, angular V shape, composed of intersecting lines in black, brown, and rust red tones. The parallel lines, arranged in tight, precise patterns, form a sharp, structured composition that emphasizes depth and optical movement. The dynamic interplay of colors and the use of varnish gives the print a striking visual texture and complexity. Stella's minimalist yet intricate design invites the viewer to explore the tension between flatness and dimensionality. This print is signed, dated, and numbered by the artist, reinforcing its importance within Stella's body of work. Quathlamba I is a fine example of Stella’s exploration of formalism and abstraction in the late 1960s.
Quathlamba I, 1968
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41.3 x 73.2 cm
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Details
Artist
Styles
From V Series - Lithograph with varnish on Lowell paper - Signed, dated, and numbered in pencil - Literature: Axsom 25, Gemini 79 - Published by Gemini G.E.L., Los Angeles // Quathlamba I by Frank Stella, created in 1968, is part of his celebrated V Series and showcases his geometric abstraction style through a lithograph with varnish on Lowell paper. This limited edition print features a bold, angular V shape, composed of intersecting lines in black, brown, and rust red tones. The parallel lines, arranged in tight, precise patterns, form a sharp, structured composition that emphasizes depth and optical movement. The dynamic interplay of colors and the use of varnish gives the print a striking visual texture and complexity. Stella's minimalist yet intricate design invites the viewer to explore the tension between flatness and dimensionality. This print is signed, dated, and numbered by the artist, reinforcing its importance within Stella's body of work. Quathlamba I is a fine example of Stella’s exploration of formalism and abstraction in the late 1960s.
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What is abstract art?
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.