
Metal, magnets and plastic. Signed and numbered to label to verso. Co-published by Editions William Wise, Lacoste-Vaucluse, France and Editions Pyra A.G., Zurich.
'Planetary Folklore Participations No. 1' by Victor Vasarely is an installation from 1969, measuring 51 × 51 × 1 cm. A 10 × 10 grid of square units, each containing a centred circle or a smaller inset square, covers the surface in an unbroken field of saturated colour. No two adjacent cells share the same combination of hue and form: reds, oranges, yellows, greens, blues, and purples cycle without apparent repetition, producing a restless chromatic energy that resists any single focal point. Vasarely, the central figure of the Op Art movement, built his practice on the premise that the generative idea — the system — held more value than any individual object, a position he stated directly: 'It is the original idea that is unique, not the object itself.' This grid work, with its modular logic and its insistence on colour contrast over illusionistic depth, is a direct expression of that democratic, reproducible aesthetic.
Planetary Foklore Participations No. 1, 1969
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Metal, magnets and plastic. Signed and numbered to label to verso. Co-published by Editions William Wise, Lacoste-Vaucluse, France and Editions Pyra A.G., Zurich.
'Planetary Folklore Participations No. 1' by Victor Vasarely is an installation from 1969, measuring 51 × 51 × 1 cm. A 10 × 10 grid of square units, each containing a centred circle or a smaller inset square, covers the surface in an unbroken field of saturated colour. No two adjacent cells share the same combination of hue and form: reds, oranges, yellows, greens, blues, and purples cycle without apparent repetition, producing a restless chromatic energy that resists any single focal point. Vasarely, the central figure of the Op Art movement, built his practice on the premise that the generative idea — the system — held more value than any individual object, a position he stated directly: 'It is the original idea that is unique, not the object itself.' This grid work, with its modular logic and its insistence on colour contrast over illusionistic depth, is a direct expression of that democratic, reproducible aesthetic.
Victor Vasarely
Planetary Foklore Participations No. 1, 1969
Sculpture / Object
Installation
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Victor Vasarely
Hommage a Bach III, ca. 1980
Limited Edition Print
Etching and Aquatint
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What is Op Art?
Op Art is a visual art style that uses optical illusions to create the impression of movement, vibrating patterns, flashing, or hidden images. The works are typically abstract, with many well-known pieces in black and white. The roots of Op Art can be traced back to earlier movements like Futurism, Constructivism, Dada, and Neo-Impressionism, particularly in their use of color effects and graphic design.

Victor Vasarely
Planetary Foklore Participations No. 1, 1969
51 x 51 x 1 cm

























































































