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From the Gordes portfolio. Screenprint on white cardboard, signed and numbered in pencil. Sheet: 72 x 62 cm Image: 63 x 56 cm Published by Fondation Vasarely Gordes. Printed by Arcay. Reference : Benavides 167 Gordes Tridim (1971) by Victor Vasarely is a striking screenprint that exemplifies the artist's pioneering work in optical and kinetic art. Part of the Gordes portfolio, the composition features an isometric cube-like structure rendered in a vibrant grid of diamond-shaped modules in varying hues of blue, red, green, violet, and orange. The spatial illusion is intensified by Vasarely’s precise manipulation of color and geometry, creating the sensation of a three-dimensional form emerging from a flat surface. The work plays with perception, depth, and visual instability, hallmarks of Vasarely’s artistic language. This print, produced on white cardboard and signed and numbered in pencil, reflects Vasarely’s deep interest in systems, structures, and the viewer’s optical engagement. Published in an edition of 250 by the Fondation Vasarely in Gordes and printed by Arcay, the piece is a textbook example of Vasarely’s exploration of geometric abstraction as a dynamic visual experience.
Gordes Tridim, 1971
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Details
Artist
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From the Gordes portfolio. Screenprint on white cardboard, signed and numbered in pencil. Sheet: 72 x 62 cm Image: 63 x 56 cm Published by Fondation Vasarely Gordes. Printed by Arcay. Reference : Benavides 167 Gordes Tridim (1971) by Victor Vasarely is a striking screenprint that exemplifies the artist's pioneering work in optical and kinetic art. Part of the Gordes portfolio, the composition features an isometric cube-like structure rendered in a vibrant grid of diamond-shaped modules in varying hues of blue, red, green, violet, and orange. The spatial illusion is intensified by Vasarely’s precise manipulation of color and geometry, creating the sensation of a three-dimensional form emerging from a flat surface. The work plays with perception, depth, and visual instability, hallmarks of Vasarely’s artistic language. This print, produced on white cardboard and signed and numbered in pencil, reflects Vasarely’s deep interest in systems, structures, and the viewer’s optical engagement. Published in an edition of 250 by the Fondation Vasarely in Gordes and printed by Arcay, the piece is a textbook example of Vasarely’s exploration of geometric abstraction as a dynamic visual experience.
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What is Op Art?
Op Art is a visual art style that uses optical illusions to create the impression of movement, vibrating patterns, flashing, or hidden images. The works are typically abstract, with many well-known pieces in black and white. The roots of Op Art can be traced back to earlier movements like Futurism, Constructivism, Dada, and Neo-Impressionism, particularly in their use of color effects and graphic design.