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From the Gordes portfolio. Screenprint on white cardboard, signed and numbered in pencil. Sheet: 72 x 62 cm Image: 63 x 56 cm Published by Fondation Vasarely Gordes. Printed by Arcay. Reference : Benavides 167 Gordes Tridim (1971) by Victor Vasarely is a striking screenprint that exemplifies the artist's pioneering work in optical and kinetic art. Part of the Gordes portfolio, the composition features an isometric cube-like structure rendered in a vibrant grid of diamond-shaped modules in varying hues of blue, red, green, violet, and orange. The spatial illusion is intensified by Vasarely’s precise manipulation of color and geometry, creating the sensation of a three-dimensional form emerging from a flat surface. The work plays with perception, depth, and visual instability, hallmarks of Vasarely’s artistic language. This print, produced on white cardboard and signed and numbered in pencil, reflects Vasarely’s deep interest in systems, structures, and the viewer’s optical engagement. Published in an edition of 250 by the Fondation Vasarely in Gordes and printed by Arcay, the piece is a textbook example of Vasarely’s exploration of geometric abstraction as a dynamic visual experience.
Gordes Tridim, 1971
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72 x 62 cm
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From the Gordes portfolio. Screenprint on white cardboard, signed and numbered in pencil. Sheet: 72 x 62 cm Image: 63 x 56 cm Published by Fondation Vasarely Gordes. Printed by Arcay. Reference : Benavides 167 Gordes Tridim (1971) by Victor Vasarely is a striking screenprint that exemplifies the artist's pioneering work in optical and kinetic art. Part of the Gordes portfolio, the composition features an isometric cube-like structure rendered in a vibrant grid of diamond-shaped modules in varying hues of blue, red, green, violet, and orange. The spatial illusion is intensified by Vasarely’s precise manipulation of color and geometry, creating the sensation of a three-dimensional form emerging from a flat surface. The work plays with perception, depth, and visual instability, hallmarks of Vasarely’s artistic language. This print, produced on white cardboard and signed and numbered in pencil, reflects Vasarely’s deep interest in systems, structures, and the viewer’s optical engagement. Published in an edition of 250 by the Fondation Vasarely in Gordes and printed by Arcay, the piece is a textbook example of Vasarely’s exploration of geometric abstraction as a dynamic visual experience.
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Victor Vasarely
Hommage A Bach III, ca. 1980
Limited Edition Print
Etching And Aquatint
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What is late modernism?
Late Modernism refers to the continuation and evolution of Modernist principles in art, architecture, and literature from the mid-20th century into the late 20th century. This movement maintains a focus on form, abstraction, and the rejection of traditional styles, but it often incorporates more complexity and ambiguity compared to early Modernism. Late Modernism explores themes such as alienation, identity, and the fragmentation of reality, reflecting the social and cultural shifts of the post-war period. It is seen in the works of architects like Louis Kahn and artists like Francis Bacon, who pushed the boundaries of Modernism while responding to the changing world around them.
