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From the Gordes portfolio. Screenprint on white cardboard, signed and numbered in pencil. Sheet: 72 x 62 cm Image: 63 x 56 cm Published by Fondation Vasarely Gordes. Printed by Arcay. Reference : Benavides 167 Gordes Tridim (1971) by Victor Vasarely is a striking screenprint that exemplifies the artist's pioneering work in optical and kinetic art. Part of the Gordes portfolio, the composition features an isometric cube-like structure rendered in a vibrant grid of diamond-shaped modules in varying hues of blue, red, green, violet, and orange. The spatial illusion is intensified by Vasarely’s precise manipulation of color and geometry, creating the sensation of a three-dimensional form emerging from a flat surface. The work plays with perception, depth, and visual instability, hallmarks of Vasarely’s artistic language. This print, produced on white cardboard and signed and numbered in pencil, reflects Vasarely’s deep interest in systems, structures, and the viewer’s optical engagement. Published in an edition of 250 by the Fondation Vasarely in Gordes and printed by Arcay, the piece is a textbook example of Vasarely’s exploration of geometric abstraction as a dynamic visual experience.
Gordes Tridim, 1971
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72 x 62 cm
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From the Gordes portfolio. Screenprint on white cardboard, signed and numbered in pencil. Sheet: 72 x 62 cm Image: 63 x 56 cm Published by Fondation Vasarely Gordes. Printed by Arcay. Reference : Benavides 167 Gordes Tridim (1971) by Victor Vasarely is a striking screenprint that exemplifies the artist's pioneering work in optical and kinetic art. Part of the Gordes portfolio, the composition features an isometric cube-like structure rendered in a vibrant grid of diamond-shaped modules in varying hues of blue, red, green, violet, and orange. The spatial illusion is intensified by Vasarely’s precise manipulation of color and geometry, creating the sensation of a three-dimensional form emerging from a flat surface. The work plays with perception, depth, and visual instability, hallmarks of Vasarely’s artistic language. This print, produced on white cardboard and signed and numbered in pencil, reflects Vasarely’s deep interest in systems, structures, and the viewer’s optical engagement. Published in an edition of 250 by the Fondation Vasarely in Gordes and printed by Arcay, the piece is a textbook example of Vasarely’s exploration of geometric abstraction as a dynamic visual experience.
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What is concrete art?
Concrete Art is an art movement founded by the Dutch artist Theo van Doesburg in the 1930s. The movement emphasizes pure abstraction, focusing on geometric shapes and colors without any reference to the natural world or symbolic meaning. Unlike other forms of abstract art, Concrete Art is entirely non-representational and is based on mathematical principles and precise execution. It aims to create universal, timeless works by using simple, clear forms that emphasize objectivity and clarity.
