
Serigraph in colors on paper. Published by AC Mazo - Paris. Printed by Silium. Reference: Benavides 447
'Almath from the album Diam' by Victor Vasarely is a serigraph from 1988, hand-signed and from a numbered edition. Concentric rectangles in alternating bands of red, burgundy, grey, and white recede toward a narrow vertical void at the centre, compressing the horizontal register while stretching the vertical — a controlled spatial illusion achieved through rhythm and colour sequence rather than perspective. Vasarely, widely considered the leading figure of the Op Art movement, built his practice on precisely this principle: that geometric repetition and chromatic contrast could produce convincing three-dimensional depth on a flat surface. 'Almath' belongs to the Diam album, a portfolio format Vasarely used to disseminate his ideas at scale, consistent with his conviction — expressed in his own words — that the original concept, not the unique object, carries artistic value.
Almath from the album Diam, 1988
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Serigraph in colors on paper. Published by AC Mazo - Paris. Printed by Silium. Reference: Benavides 447
'Almath from the album Diam' by Victor Vasarely is a serigraph from 1988, hand-signed and from a numbered edition. Concentric rectangles in alternating bands of red, burgundy, grey, and white recede toward a narrow vertical void at the centre, compressing the horizontal register while stretching the vertical — a controlled spatial illusion achieved through rhythm and colour sequence rather than perspective. Vasarely, widely considered the leading figure of the Op Art movement, built his practice on precisely this principle: that geometric repetition and chromatic contrast could produce convincing three-dimensional depth on a flat surface. 'Almath' belongs to the Diam album, a portfolio format Vasarely used to disseminate his ideas at scale, consistent with his conviction — expressed in his own words — that the original concept, not the unique object, carries artistic value.
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Sculpture / Object
Installation
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Limited Edition Print
Etching and Aquatint
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What is kinetic art?
Kinetic art is an international movement that emerged in the 1920s and gained prominence in the 1960s, referring to art that involves both apparent and real motion. It encompasses any medium that includes movement, either relying on actual motion for its effect or being perceived as moving by the viewer. Early examples include canvas paintings designed to create optical illusions of movement. Today, kinetic art often refers to three-dimensional figures and sculptures, such as those operated by machines or those that move naturally. The movement covers a variety of styles and techniques that frequently overlap.

Victor Vasarely
Almath from the album Diam, 1988
70 x 62 cm
























































































