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Published by Fondation Vasarely, Château de Gordes. Printed by Arcay, Paris. Catalog : Benavides 166 Paper size: 72 cm. x 62 cm. | 28.35 in. x 24.41 in. Image size: 51 cm. x 51 cm. | 20.08 in. x 20.08 in. Part of the 'Gordes' album, completed in 1971. Gordes OND DVA (1971) by Victor Vasarely is a striking silkscreen print exemplifying the artist’s pioneering Op Art style. Using a tightly arranged grid of blue and violet squares, Vasarely manipulates spatial perception, creating an optical illusion of bulging and receding forms. The central area appears to radiate with luminous intensity, while the edges curve inward, emphasizing a rhythmic pulsation within the flat plane. Printed by Arcay in Paris and published by Fondation Vasarely at Château de Gordes, this work belongs to an edition of 250 and forms part of the artist’s “Gordes” album, which explores visual dynamics through geometric abstraction.
Gordes OND DVA, 1971
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72 x 62 cm
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Published by Fondation Vasarely, Château de Gordes. Printed by Arcay, Paris. Catalog : Benavides 166 Paper size: 72 cm. x 62 cm. | 28.35 in. x 24.41 in. Image size: 51 cm. x 51 cm. | 20.08 in. x 20.08 in. Part of the 'Gordes' album, completed in 1971. Gordes OND DVA (1971) by Victor Vasarely is a striking silkscreen print exemplifying the artist’s pioneering Op Art style. Using a tightly arranged grid of blue and violet squares, Vasarely manipulates spatial perception, creating an optical illusion of bulging and receding forms. The central area appears to radiate with luminous intensity, while the edges curve inward, emphasizing a rhythmic pulsation within the flat plane. Printed by Arcay in Paris and published by Fondation Vasarely at Château de Gordes, this work belongs to an edition of 250 and forms part of the artist’s “Gordes” album, which explores visual dynamics through geometric abstraction.
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Victor Vasarely
Hommage A Bach III, ca. 1980
Limited Edition Print
Etching And Aquatint
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What is abstract art?
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.
